tag:blogger.com,1999:blog-87091814940017797352024-03-13T23:27:01.363-07:005533 www.imc5533@gmail.com5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comBlogger92125tag:blogger.com,1999:blog-8709181494001779735.post-46189417099705873452017-02-27T22:37:00.000-08:002017-02-28T00:23:43.612-08:00<div class="separator" style="clear: both; text-align: center;">
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<a href="https://3.bp.blogspot.com/-_b22-UNtWq0/WLUbAYeyLoI/AAAAAAAAAug/ticT-FxpaEwtCU2IfXyLinp-4JhShBkwgCLcB/s1600/senveben.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="241" src="https://3.bp.blogspot.com/-_b22-UNtWq0/WLUbAYeyLoI/AAAAAAAAAug/ticT-FxpaEwtCU2IfXyLinp-4JhShBkwgCLcB/s640/senveben.jpg" width="640" /></a></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">Merve Ünsal ve Nancy Atakan
tarafından organize edilen <b style="mso-bidi-font-weight: normal;">Sen ve Ben</b><span style="mso-bidi-font-weight: normal;">,</span>
var olduğunu düşündüğümüz aralıklar ile bir araya gelme denemesi. Var olan, var
olabilecek işler ile yapılan, ancak 5533'te olabilecek bir mekânsal
deneme. <o:p></o:p></span></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">Sen ve Ben'e davet edilen kişilerin
mekana <span style="mso-spacerun: yes;"> </span>bir iş, bir etkinlik ya da her
ikisiyle birden katkıda bulunması istenildi, bu yüzden 5533 aynı anda
sergileme, toplanma, etkinlik, gösterim ve atölye olarak kullanılacaktır. <o:p></o:p></span></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">Katılımcı ve seyirciler için sürprizlerle
dolu bir süreç olacaktır. <span style="mso-spacerun: yes;"> </span>Mart ayı
boyunca haftada iki kez mekanda ikililer faal olacak, bir yandan da oluşan
işler asıldığı için durmadan değişen bir sergi de süregidecektir. Serginin son
hali, etkinliklerin son gününde görülebilecektir. Metni, öğrendiklerimizi de bu
safhada yazacağız. <o:p></o:p></span></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">İkilik, üçlük, dörtlükleri temel
aldığımızdan, programımıza eklemeler olabilir; bu üretim denemesinin temelinde
esneklik bulunmaktadır. <o:p></o:p></span></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">Katılımcılar: <o:p></o:p></span></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">Yeşim Akdeniz & Gülçin Aksoy
& Volkan Aslan & Nancy Atakan & Dilek Aydın & Betül Bolat &
Kadir Çelik & Elmas Deniz & Zeynep Direk & Didem Erbaş & Borga
Kantürk & Gülsün Karamustafa & Neslihan Koyuncu & Sinan Logie &
Lara Ögel & Yasemin Özcan & Ceylan Öztrük & Didem Pekün & Zeyno
Pekünlü & Sevgi Tan & Berkay Tuncay & Şebnem Uğuz & Merve Ünsal<o:p></o:p></span></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">4 Mart Cumartesi 16:00 <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">Bir Şey</span></b><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">, <span style="mso-spacerun: yes;"> </span>Gülsün Karamustafa & Nancy Atakan<o:p></o:p></span></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">11 Mart Cumartesi 13:30<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">Bir üretim stratejisi: Kendine Mal Etme</span></b><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">, Zeyno Pekünlü & Dilek Aydın<o:p></o:p></span></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">15 Mart Çarşamba 13:30<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">İç- karanlık / İç- kuyu</span></b><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">, <span style="mso-spacerun: yes;"> </span>Didem Erbaş
& Neslihan Koyuncu <o:p></o:p></span></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">18 Mart Cumartesi 16:00<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">Untitled folder</span></b><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">, Borga
Kantürk & Berkay Tuncay<o:p></o:p></span></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">22 Mart Çarşamba 16:00<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">Halı Atölyesi-Açık Kapı</span></b><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">, Gülçin Aksoy, Betül Bolat, Kadir Çelik, Şebnem Uğuz,
& Sevgi Tan <o:p></o:p></span></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">25 Mart Cumartesi 16:00<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">Nasıl yaşamalıyım?</span></b><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">, Didem Pekün & Zeynep Direk <o:p></o:p></span></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">29 Mart Çarşamba 16:00<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">Biz olabilir miyiz?</span></b><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">, Yeşim Akdeniz & Sinan Logie & Nancy Atakan<o:p></o:p></span></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">1 Nisan Cumartesi 16:00 <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">Armağan</span></b><span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">, Lara Ögel
& Merve Ünsal<o:p></o:p></span></div>
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<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;">5 Nisan Çarşamba 16:00</span><br />
<span lang="TR" style="color: black; font-family: "helvetica"; mso-bidi-font-family: Helvetica; mso-themecolor: text1;"><b>Ben&Ben</b>, </span><span style="font-family: "helvetica";">Elmas Deniz & Yasemin Özcan</span></div>
5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-90381379962446109772017-02-08T08:30:00.005-08:002017-02-11T11:18:09.781-08:00<div class="p1">
<span class="s1"><a href="http://1.bp.blogspot.com/-27EykSKHK9Q/WJtHnxJYu_I/AAAAAAAAAuQ/L6jqkD4A0ew5fmLm-dnaqN86tta_UFvqACK4B/s1600/gulilgaz_5533_3.jpg" imageanchor="1"><img border="0" height="234" src="https://1.bp.blogspot.com/-27EykSKHK9Q/WJtHnxJYu_I/AAAAAAAAAuQ/L6jqkD4A0ew5fmLm-dnaqN86tta_UFvqACK4B/s320/gulilgaz_5533_3.jpg" width="320" /></a></span></div>
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<span class="s1">ARA YOLLAR</span></div>
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<span class="s1">Gül Ilgaz, Sunum & Konuşma </span></div>
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<span class="s1">18 Şubat 2017, Cumartesi, 16:00</span></div>
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<span class="s1">25 Şubat 2017, Cumartesi, 16:00</span></div>
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<span class="s1">Gül Ilgaz, 5533’ün daveti üzerine <i>Ara Yollar </i>isimli bir sunum ve konuşma gerçekleştirecektir. <i>Ara Yollar,</i> Ilgaz’ın kendi sanatsal pratiği dışında hazırlamış olduğu araştırmanın içinde yer alan katılımcılarla gerçekleşiyor.</span></div>
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<span class="s1">Bu araştırma için 2012 yılından bu yana Gül Ilgaz Türkiye’nin çeşitli ara yollarında dolaştı, çeşitli mesleklerden yaratıcı insanlarla tanıştı ve bazı sorulara cevap bulmaya çalıştı.</span></div>
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<span class="s1">İki bölümden oluşacak <i>Ara Yollar </i>’ın ilk bölümünde Ilgaz, sanat tarihi dışında kalan, kurum ve galerilerde yer almayan, alışıldık teknik ve üretim biçimlerinden uzak birbirinden farklı örneklerle bir sunum yapacak.</span></div>
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<span class="s1">İkinci bölümde ise bu araştırma içinde katılımcılarından olan Melih Özuysal ve Dede (Ülkü Başsoy) ile bir söyleşi, sohbet gerçekleştirilecek ardından bu projenin içinde yer alan kişilerle önceden hazırlanmış röportaj videoları paylaşılacaktır.</span></div>
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<span class="s1">İMÇ 5.Blok no:5533 Unkapanı-İstanbul</span></div>
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<span class="s1">Projede yer alanlarlar;</span></div>
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<span class="s1">Faruk Ilgaz</span></div>
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<span class="s1">Cuma Altıntaş</span></div>
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<span class="s1">Dede (Ülkü Başsoy)</span></div>
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<span class="s1">Bahadır Baruter</span></div>
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<span class="s1">Mine Söğüt</span></div>
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<span class="s1">Cavide Gözkara Yükseler</span></div>
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<span class="s1">Çağlayan Yıldız</span></div>
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<span class="s1">Noyan Turunç</span></div>
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<span class="s1">Banu Taylan</span></div>
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<span class="s1">Halil Aksu</span></div>
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<span class="s1">Oğuz Bozkurt</span></div>
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<span class="s1">Erin Can</span></div>
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<span class="s1">İbrahim Konuk</span></div>
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<span class="s1">Melih Özuysal</span></div>
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<span class="s1">Gülce Çakır Donat</span></div>
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<span class="s1">Rıfat Edin</span></div>
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<span class="s1">Mehmet Salih Uzun</span></div>
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<span class="s1">Saray Burnu Sahili</span></div>
5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-81323832381247867082017-02-01T12:13:00.001-08:002017-02-01T12:15:24.437-08:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-076jRFKBLSo/WJJBYs3YazI/AAAAAAAAAt0/S8dsffuZgg4ZIx2Mc6WKWwjtCmsNCtjRgCLcB/s1600/16299596_10206460088460767_919942865071125127_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://3.bp.blogspot.com/-076jRFKBLSo/WJJBYs3YazI/AAAAAAAAAt0/S8dsffuZgg4ZIx2Mc6WKWwjtCmsNCtjRgCLcB/s320/16299596_10206460088460767_919942865071125127_o.jpg" width="226" /></a></div>
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="background-color: white; font-size: 14px;"><span style="color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif;"><br /></span></span><span style="background-color: white; color: #4b4f56; font-size: 14px;">ARŞİVDEN SONRA? -6: </span></span><br />
<span style="background-color: white; color: #4b4f56; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: 14px;">Hafıza, Adalet ve Arşiv: Hafıza Merkezi</span><br />
<span style="background-color: white; color: #4b4f56; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: 14px;">Gamze Hızlı, Özlem Kaya</span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><br style="background-color: white; color: #4b4f56; font-size: 14px;" /></span>
<span style="background-color: white; color: #4b4f56; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: 14px;">4 Şubat 2017, Cumartesi, 16:00</span><br />
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: 14px;">5533, </span><br />
<span style="background-color: white; color: #4b4f56; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: 14px;">İMÇ 5.Blok No:5533 </span><br />
<span style="background-color: white; color: #4b4f56; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: 14px;">Unkapanı-İstanbul</span><br />
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: 14px;">Arşivden Sonra? konuşma dizisinin bu haftaki konuğu olan Gamze Hızlı ve Özlem Kaya, Hafıza Merkezi’nin arşivini ve çalışma metodolojisini katılımcılarla paylaşacaklar. Hafıza Merkezi, Türkiye’de insan hakları ihlallerinin belgelenmesine, emsal olabilecek davaların takibine, mağduriyetlerin onarılmasına ve hak ihlallerinin toplumun geniş kesimlerine anlatılmasına yönelik faaliyetler yürütmek amacıyla 2011 yılında kuruldu.</span><br />
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<span class="text_exposed_show" style="background-color: white; color: #4b4f56; display: inline; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: 14px;"><br />Arşivden Sonra?<br /><br />Bağımsız sanat insiyatifi 5533’ün daveti üzerine Köken Ergun ve Hasan Özgür Top'un düzenlediği "Arşivden Sonra?" konuşma dizisi 17 Aralık - 4 Şubat tarihleri arasında çeşitli mekanlarda gerçekleştiriliyor. Kendi sanat pratiklerinde arşivlemeye önem veren Köken Ergun ve Hasan Özgür Top günümüzde arşivin gereksinimi, akıbeti, arşivleme yöntemleri ve arşiv pratiklerinin sonrasında izlenen süreçleri tartışmaya açmak için farklı disiplinlerde arşiv yapan konuşmacıları davet ediyorlar.<br /><br />Poster fotoğrafı: Veysi Altay</span>5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-78871477240108304142017-01-24T01:31:00.001-08:002017-02-01T12:15:43.510-08:00<div class="separator" style="clear: both; text-align: center;">
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">ARŞİVDEN SONRA? -5:</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Nagehan Uskan, Vahakn Keshishian ve Selin Sönmez</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Kültürel Mirasın Arşivlenmesi</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">1 Şubat 2017, Çarşamba 18:30</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Hrant Dink Vakfı, Anarad Hığutyun Binası</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Papa Roncalli Sk. No: 128 Harbiye</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">34373 Şişli İstanbul</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">"Arşivden Sonra? dizisinin bu haftaki konuğu Hrant Dink Vakfı Kültürel Miras Ekibi, vakfın kuruluş tarihinden itibaren yürütülen kültürel miras projelerinde arşivin konumu ve önemi, yaptıkları çalışmaları ve devam etkmekte olan arşivleme süreçlerini paylaşacak. Oluşum aşamasında olan Hrant Dink Vakfı Arşivi’nden bahsedilecek. Nagehan Uskan, Vahakn Keshishian ve Selin Sönmez’in katılımıyla gerçekleşecek buluşmada, bir çevrimiçi ve interaktif arşiv olan Türkiye Kültür Varlıkları Haritası’nın oluşumu ve benzer arşivleme çalışmaların zorlukları da ele alınacak."</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Arşivden Sonra?</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Bağımsız sanat insiyatifi 5533’ün daveti üzerine Köken Ergun ve Hasan Özgür Top'un düzenlediği "Arşivden Sonra?" konuşma dizisi 17 Aralık - 4 Şubat tarihleri arasında çeşitli mekanlarda gerçekleştiriliyor. Kendi sanat pratiklerinde arşivlemeye önem veren Köken Ergun ve Hasan Özgür Top günümüzde arşivin gereksinimi, akıbeti, arşivleme yöntemleri ve arşiv pratiklerinin sonrasında izlenen süreçleri tartışmaya açmak için farklı disiplinlerde arşiv yapan konuşmacıları davet ediyorlar.</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Bir sonraki konuşma:</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Adalet, Hafıza ve Arşiv: Hafıza Merkezi</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">4 Şubat 2017, Cumartesi, 16:00</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">5533, İMÇ, Unkapanı</span></div>
5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-8309488212238948942017-01-20T04:54:00.001-08:002017-01-20T04:56:05.940-08:00<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; font-size: 14px;"><span style="color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif;">ARŞİVDEN SONRA? -4:</span></span><br />
<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">Bikem Ekberzade</span><br />
<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">“Görünmeyen Arşiv”</span><br />
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">21 Ocak 2017, Cumartesi 16:00</span><br />
<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">5533, İMÇ 5.Blok No:5533 </span><br />
<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">Unkapanı-İstanbul</span><br />
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">Arşivden Sonra? dizisinin bu haftaki konuğu Bikem Ekberzade ağırlıklı olarak savaş ve iç karışıklık bölgelerinden, aralarında New York Times ve Newsweek gibi kurumların da bulunduğu uluslararası basın organlarına haber fotoğrafı ve fotoğraf hikayeleri hazırlayan bir foto-muhabiri. Zorunlu göç ekseninde çalışmalarını sürdürmekte olan Ekberzade, 1997 yılından beri farklı coğrafyalarda Mülteci Projesi isimli bir belgesel fotoğraf projesini de yürütüyor. Görev icabı bulunduğu bölgelerde bir çok farklı yardım kurumu için saha incelemelerine de katılan Ekberzade, konuşmasının ilk bölümünde bu tarz saha ince</span><span class="text_exposed_show" style="background-color: white; color: #4b4f56; display: inline; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">lemeleri sonucu, kurumların talebi üzerine durum tespiti için çekilen ama kamu ve basına gösterilmeyen fotoğraflardan oluşan “gizli” arşivlerden bahsedecek. İkinci bölümde ise “kullanılmayan fotoğraflar” (editoryal seçimlerde elenen görseller) üzerine konuşacak.<br /><br />Arşivden Sonra?<br /><br />Bağımsız sanat insiyatifi 5533’ün daveti üzerine Köken Ergun ve Hasan Özgür Top'un düzenlediği "Arşivden Sonra?" konuşma dizisi 17 Aralık - 4 Şubat tarihleri arasında çeşitli mekanlarda gerçekleştiriliyor. Kendi sanat pratiklerinde arşivlemeye önem veren Köken Ergun ve Hasan Özgür Top günümüzde arşivin gereksinimi, akıbeti, arşivleme yöntemleri ve arşiv pratiklerinin sonrasında izlenen süreçleri tartışmaya açmak için farklı disiplinlerde arşiv yapan konuşmacıları davet ediyorlar.<br /><br /><a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fthevirtualstory.com%2F&h=ATMObanvnk9F4rVbOEG17LPnha5qG2XF4YpM0ptgwzhQxaam3MCQXRJUvjKoFTGistLPJyl0EYM4c_RMuz1UDejTjAk-dbnrhVCWNoB6-YNwlU3N3Qbqmu2d61Oi_a0nlPdEWmmwcA&enc=AZN6DRr8fnljxgcZm6MdpbGdczYxgiwO4lMpozXlYwyfwjs-dr2vi0vEqyT6Q7VnFsM&s=1" rel="nofollow nofollow" style="color: #365899; cursor: pointer; text-decoration: none;" target="_blank">http://<wbr></wbr><span class="word_break" style="display: inline-block;"></span>thevirtualstory.com/</a><br /><a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fimc5533.blogspot.com.tr%2F&h=ATNeDDWP3JeB7Tjjj7BY4W1VPtmOx5iWTxFfNvAbyTlHhbayYHPtP7_ocfZUOUojrOm0MfB_tQKjDv3SWqGd5MxIk-TZj_5IHobYvmX1zUEK1-uFyFqAeTqbbr40fH2Avj-FjnKxGQ&enc=AZMU0LKHUyosSExZX8NCGZM6-JPuVRa_EvvyEFBry4K8Q3R3toXEB6KHSh1oDUurTOU&s=1" rel="nofollow nofollow" style="color: #365899; cursor: pointer; text-decoration: none;" target="_blank">http://<wbr></wbr><span class="word_break" style="display: inline-block;"></span>imc5533.blogspot.com.tr/</a><br /><br />Bir sonraki konuşma:<br />“Türkiye Kültür Varlıkları Haritası Projesi"<br />1 Şubat 2017, Çarşamba, Saat: 18:30<br />Hrant Dink Vakfı, Anarat Hığutyun Binası<br />Papa Roncalli Sk. No: 128 Harbiye<br />Şişli-İstanbul</span>5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-52363851652489734532017-01-08T08:34:00.000-08:002017-01-20T04:55:59.098-08:00<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;"><br /></span>
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">ARŞİVDEN SONRA? - 3:</span><br />
<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">Cumhuriyet Gazetesi Arşivi</span><br />
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">14 Ocak 2017, Cumartesi, 16:00 </span><br />
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">Cumhuriyet Gazetesi Binası</span><br />
<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">Prof. Nurettin Mazhar Öktel Sokak, No: 2</span><br />
<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">Şişli - İstanbul </span><br />
<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">(Şişli Ermeni Mezarlığı’nın arkası)</span><br />
<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">Not: Bina içindeki oda numarasını danışmaya sorabilirsiniz</span><br />
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">9 Kasım 2016 tarihinde Radikal gazetesinin dijital arşivi silindi. Türkiye’nin önde gelen gazetelerinden birinin hafızası, dolayısıyla Türkiye’nin toplumsal hafızasının bir kısmı, bir süreliğine yok oldu. Arşive erişim iki gün sonra tekrar sağlandı ancak bu olay gazete arşivlerinin korunması gerektiği konusunda bizi uyarmış oldu. Türkiye’de basın özgürlüğü tehdit altında olduğu sürece başka gazetelerin de arşivinin silinmesi muhtemel görünüyor. Bu </span><span class="text_exposed_show" style="background-color: white; color: #4b4f56; display: inline; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">gelişmeler ışığında, “Arşivden Sonra?” konuşma dizisi dahilinde Türkiye’nin en köklü gazetelerinden biri olan Cumhuriyet’in arşivini ziyaret edeceğiz. Gazetenin arşivinin nasıl oluşturulduğunu, nasıl ulaşılabildiği ve korunduğunu arşiv çalışanlarından bizzat dinleyeceğiz.<br /><br />Arşivden Sonra?<br /><br />Bağımsız sanat insiyatifi 5533’ün daveti üzerine Köken Ergun ve Hasan Özgür Top'un düzenlediği "Arşivden Sonra?" konuşma dizisi 17 Aralık - 28 Ocak tarihleri arasında çeşitli mekanlarda gerçekleştiriliyor. Kendi sanat pratiklerinde arşivlemeye önem veren Köken Ergun ve Hasan Özgür Top günümüzde arşivin gereksinimi, akıbeti, arşivleme yöntemleri ve arşiv pratiklerinin sonrasında izlenen süreçleri tartışmaya açmak için farklı disiplinlerde arşiv yapan konuşmacıları davet ediyorlar.<br /><br /><a href="https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.cumhuriyetarsivi.com%2F&h=dAQGw_kEm&enc=AZO8hKX5lrg09IHKFXNxaIhNz_AmfJpkdUUkcwpzFq1YmvXjK9mQYJgmEYWYuVCwhNs&s=1" rel="nofollow nofollow" style="color: #365899; cursor: pointer; text-decoration: none;" target="_blank">https://<wbr></wbr><span class="word_break" style="display: inline-block;"></span>www.cumhuriyetarsivi.com/</a><br /><a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fimc5533.blogspot.com.tr%2F&h=PAQEh1LUP&enc=AZOM-HczFhbMwA6_V6OImSqL084VDvp62RcmW1IBkLTSHNZd4M3sVaACYvVcRIEAg5Q&s=1" rel="nofollow nofollow" style="color: #365899; cursor: pointer; text-decoration: none;" target="_blank">http://<wbr></wbr><span class="word_break" style="display: inline-block;"></span>imc5533.blogspot.com.tr/</a><br /><br />Bir sonraki konuşma :<br />Bikem Ekberzade<br />21 Ocak 2017, Cumartesi, 16:00<br />5533, İMÇ, Unkapanı</span>5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-27625442270497519242016-12-20T07:57:00.002-08:002017-01-20T04:58:24.661-08:00<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">ARŞİVDEN SONRA? -2:</span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Köken Ergun</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">5533, 17 Aralık-28 Ocak tarihleri arasında, Köken Ergun ve Hasan Özgür Top'un düzenleyeceği "Arşivden Sonra?" isimli konuşma dizisine ev sahipliği yapacak. </span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Sanat üretimlerinde arşivlemeye önem veren Köken Ergun ve Hasan Özgür Top, arşiv çalışmalarından kesitler sunacakları konuşmalarının yanı sıra farklı disiplinlerde arşiv yapan konuşmacıları da davet ederek, günümüzde arşivin gereksinimi, akıbeti, arşivleme yöntemleri ve arşiv pratiklerinin sonrasında izledikleri süreçleri tartışacaklar.</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">B’Tselem - The Israeli Information Center for Human Rights in the Occupied Territories [İşgal Altındaki Bölgelerde İnsan Hakları İçin Bilgi Merkezi], 1989’da Batı Şeria ve Gazze Şeridi’nde insan haklarını müdafaa etmek, hak ihlallerini gözlemlemek ve belgelemek amacıyla kuruldu. Merkez, 2007’den bu yana <i>Kamera Dağıtım Projesi</i> kapsamında, yoğun çatışmaların yaşandığı bölgelerdeki Filistinli ailelere video kameralar tedarik etmekte. Bu aileler, İsrail askerlerinin hak ihlalleri ile bölgenin yeni sakinleri sayılabilecek yerleşimcilerin uyguladığı gündelik şiddet vakalarını belgelemek üzere eğitim alıyorlar. Kayıtlar, B’Tselem personeli tarafından toplanıp kurgulanarak resmî mercilere kanıt olarak sunulurken; aynı zamanda uluslararası medya kuruluşlarına da servis ediliyor.</span></div>
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<span class="s1" style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Köken Ergun, Kudüs’deki B’Tselem arşivinde uzun süreli bir araştırma yürüterek şiddet ve çatışmayla ilgili videolardan ziyade daha kişisel ve beklenmedik anlara dair kayıtları seçti. Seçtiği görüntülerin önemli bir özelliği, tümünün kurgusuz olması ve B’Tselem tarafından kullanılmamasıdır. 2009-2013 yıllarında dünyanın çeşitli yerlerinde sanatçı ve akademisyenlerle bu seçki üzerinden sunumlar ve tartışmalar gerçekleştiren Ergun “Arşivden Sonra” için görüntüleri bölgemizdeki güncel gelişmeler ışığında değerlendirecek.</span></div>
5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-25452054630538663762016-12-12T09:39:00.002-08:002017-01-20T04:58:10.017-08:00<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">ARŞİVDEN SONRA? -1:</span></div>
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">Hasan Özgür Top</span></div>
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">5533, 17 Aralık-28 Ocak tarihleri arasında, Köken Ergun ve Hasan Özgür Top'un düzenleyeceği "Arşivden Sonra?" isimli konuşma dizisine ev sahipliği yapacak. </span><br />
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">Sanat üretimlerinde arşivlemeye önem veren Köken Ergun ve Hasan Özgür Top, arşiv çalışmalarından kesitler sunacakları konuşmalarının yanı sıra farklı disiplinlerde arşiv yapan konuşmacıları da davet ederek, günümüzde arşivin gereksinimi, akıbeti, arşivleme yöntemleri ve arşiv pratiklerinin sonrasında izledikleri süreçleri tartışacaklar.</span><br />
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">Video Oyunları ve Savaş Görüntüleri</span><br />
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">17 Aralık, Saat: 16:00</span><br />
<span class="text_exposed_show" style="background-color: white; color: #4b4f56; display: inline; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;"><br />IŞİD’in yayınladığı propaganda videoları üzerine arşiv çalışması yürüten sanatçı Hasan Özgür Top, çalışma sürecini, yöntemlerini ve materyallerini katılımcılarla paylaşacak. Hasan Özgür Top, bir sanatçı olarak arşivcilikle olan ilişkisini çıkış noktası alacağı konuşmada, internette yayınlanan ve paylaşılan şiddet içerikli propaganda videolarıyla, video oyunları arasındaki benzerliklere ve atıflara da değinecek.<br /><br />Bir sonraki konuşma: "B'tselem Video Arşivinden Seçmeler", Köken Ergun, 24.12.2016</span>5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-69578829485845082532016-07-13T01:59:00.000-07:002016-07-13T01:59:33.509-07:00<div class="separator" style="clear: both; text-align: center;">
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The fourth edition of The Future Generation Art Prize worldwide competition established by the Victor Pinchuk Foundation in Ukraine opens for entries today.</div>
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All artists up to the age of 35 of all backgrounds, working in any medium, anywhere in the world are encouraged to apply. Supporting the application process, more than 600 correspondents all over the world will be nominating artists for the prize and over 50 Partner Platforms worldwide will be ambassadors for the Future Generation Art Prize to encourage artists within their regions to apply. </div>
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The main prize will be awarded by an international jury in the amount of US$ 100,000, split between $60,000 in cash and $40,000 investment in the production of a new work. In addition US$ 20,000 will be awarded to up to five Special Prize winners, nominated by the Jury. A Public Choice winner will be selected through online voting and announced at the Award Ceremony. </div>
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Applications will close on 11 September 2016. An exhibition of the work of up to 20 shortlisted artists will be shown in Kiev at the PinchukArtCentre from February 2017 to April 2017. The winner will be announced at an Award Ceremony in Kiev in April 2017. The exhibition will go on show at the Venice Biennale in May 2017, presenting the work of all the shortlisted artists to a broad international public. </div>
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The pioneering Future Generation Art Prize established by the Victor Pinchuk Foundation in 2009 is a worldwide contemporary art prize created to discover, recognise and give long-term support to a future generation of artists. Judged by a distinguished jury, The Prize aims to make a major contribution to the careers of younger artists involved in the dynamic cultural development of societies in transition, many of whom have found it difficult to get their voices heard. </div>
<a href="http://futuregenerationartprize.org/en" target="_blank"> http://futuregenerationartprize.org/en</a><br />
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<br />5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-9765673050551628622016-04-15T03:18:00.004-07:002016-04-15T03:18:36.392-07:00Proto5533 Sergi Okuması: Naz Cuguoğlu & Övül Ö. Durmuşoğlu <span style="color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;">----------------Please scroll down for English-------------------</span><wbr style="color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;"></wbr><span class="word_break" style="color: #4e5665; display: inline-block; font-family: helvetica, arial, sans-serif; font-size: 14px;"></span><span style="background-color: white; color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;">----</span><br style="color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;" /><br style="color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;" /><span style="background-color: white; color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;">Proto5533 Sergi Okuması: Naz Cuguoğlu & Övül Ö. Durmuşoğlu</span><br style="color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;" /><span style="background-color: white; color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;">Tarih ve Saat: 16 Nisan Cumartesi, 15-17</span><br style="color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;" /><span style="background-color: white; color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;">Buluşma Yeri: 5533, 5. Blok No: 5533, Unkapanı-Istanbul</span><br style="color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;" /><br style="color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;" /><span style="background-color: white; color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;">Proto5533 serisi kapsamında sunulan İskenderiye’den Sonra Tufan sergisi, sanatçılar Ekin Bernay, Eşref Yıldırım, Jorge Mendez Blake, Meriç Algün Ringborg, ve Sultan Burcu Demir’in işlerini bir araya getiriyor. Naz Cuguoğlu’nun küratörlüğünde düzenlenen sergi, bilginin günümüzde dijital ve dijital-olmayan kütüphanelerdeki aşırı bilgi yüklemesinde nasıl organize edildiğini, kontrol altında tutulduğunu ve tüketildiğini araştırıyor.</span><br style="color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;" /><br style="color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;" /><span style="background-color: white; color: #4e5665; font-family: helvetica, arial, sans-serif; font-size: 14px;">Bu bağlamda, serginin küratörü Naz Cuguoğlu ve Proto</span><span class="text_exposed_show" style="color: #4e5665; display: inline; font-family: helvetica, arial, sans-serif; font-size: 14px;">5533 serisinin mentor küratörlerinden Övül Ö. Durmuşoğlu eşliğinde 16 Nisan Cumartesi günü saat 15’te bir sergi okuması gerçekleştirilecek. <br /><br /><br /><br />*** Etkinlik dili Türkçe’dir<br /><br />--------------------------<wbr></wbr><span class="word_break" style="display: inline-block;"></span>--------------------------<wbr></wbr><span class="word_break" style="display: inline-block;"></span>-------------------------<br /><br />Proto5533: Exhibition Reading: Naz Cuguoğlu & Övül Ö. Durmuşoğlu<br />Date and Time: April 16th, Saturday, 3-5 pm<br />Meeting Place: 5533, 5. Blok No: 5533, Unkapanı-Istanbul<br /><br />Proto5533 presents After Alexandria, the Flood with Ekin Bernay, Eşref Yıldırım, Jorge Mendez Blake, Meriç Algün Ringborg, and Sultan Burcu Demir, curated by Naz Cuguoğlu, which explores how the knowledge gets organized, controlled and absorbed in the current information overload of digital and non-digital libraries.<br /><br />In this context, there will be an exhibition reading with Naz Cuguoğlu -the curator of the exhibition and Övül Ö. Durmuşoğlu, one of the mentor curators of Proto5533 series.<br /><br /><br /><br />*** The reading will be in Turkish.</span>5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-51529434559088558452016-04-15T03:17:00.003-07:002016-04-15T03:17:27.729-07:00 Proto5533: After Alexandria, the Flood // Proto5533: İskenderiye’den Sonra Tufan <br />
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<span style="color: #b45f04;">Türkçe metin aşağıdadır</span><br /><br />Protocinema Emerging Curator and Artist Series at 5533<br /><br /><span style="font-size: 19px;"><strong>Proto5533: After Alexandria, the Flood</strong></span><br /><br /><strong>Artists:</strong> Ekin Bernay, Eşref Yıldırım, Jorge Mendez Blake, Meriç Algün Ringborg, Sultan Burcu Demir <strong>Curator:</strong> Naz Cuguoğlu<br /><strong>Exhibition Dates:</strong> 2 – 23 April 2016, Saturdays 12:00- 18:00 </div>
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<strong>Opening:</strong> April 2, Saturday, 16:00 – 18:00<br />İMÇ 5. Blok No: 5533, Unkapanı-Istanbul<br />Recai Mehmed Efendi Library, Cemal Yener Tosyalı Sok. No:26, Unkapanı-Istanbul<br /><br /><strong>After-Party:</strong> April 2, Saturday, 21:00 – 01:00<br />COOP, İstiklal Caddesi, Suriye Pasajı No: 166<br /> <br /><strong>Publication:</strong> After Alexandria, the Flood<br />Publication Launch & Talk: April 16, Saturday, 16:00 – 18:00<br />Edited by Gökcan Demirkazık & Designed by Mert Gümren<br />Contributors: Lesli Jebahar, Mine Kaplangı, Serhat Cacekli, Simge Burhanoğlu, Sine Ergün</div>
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<em> “I went after a book”</em><br /><em>Jorge Luis Borges, The Library of Babel</em></div>
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<strong>Proto5533</strong> presents <strong>After Alexandria, the Flood</strong> with <strong>Jorge Mendez Blake, Ekin Bernay, Eşref Yıldırım, Meriç Algün Ringborg, and Sultan Burcu Demir</strong>, curated by <strong>Naz Cuguoğlu</strong>, which explores how the knowledge gets organized, controlled and absorbed in the current information overload of digital and non-digital libraries.<br /><br />Humanity once dreamed of reaching the skies with the Tower of Babel, it once dreamed of owning all the knowledge in the universe with the Alexandria Library, and now we live in the internet age, completely surrounded by information, seemingly limitless and infinite. Today information appears so limitless and chaotic that we begin to wonder <em>who holds the power to control it, how do we navigate and make choices among the glut of information that is available in digital or non-digital libraries?</em> Inspired by Jorge Luis Borges’s short story “Library of Babel” (1941) and its resemblance to internet with its shadowy architecture and infinite hexagons, this exhibition looks for an answer.<br /><br />Exhibited at Proto5533, Blake’s work “The Borges Library” consists of a mural resembling books and mirrors, inviting the audience to experience the feeling of Borges’s infinite library. Ringborg’s video titled “A World of Blind Chance”, is a play, composed by found sentences from the Oxford English Dictionary, showing an actor who is rehearsing a monologue and whose movements are directed, questioning the control mechanisms and hierarchies of knowledge. Yıldırım’s work “Tweetrary of Babel” deals with the difficulty in trusting the accuracy of data and the ownership of the information control by inviting the audience to contribute to a Twitter feed with autocomplete feature, a manifestation of infinite information flow.<br /><br />Presented at Recai Mehmed Efendi Library, Demir’s “Index” installation consists of paper-cut globes, creating “text-forms” that present content physically impossible to read while creating a visual library in reference to Borges’s “library-universe” and questioning the hierarchical presentation of libraries and the boundaries of information accessibility. Bernay’s performance invites the audience on a performative journey, taking different routes through library books, questioning interpretation of stories using human inventions like language in a world where the information is under control and writing exists for its own sake.<br /><br />The catalogue titled “After Alexandria, the Flood” accompanies the exhibition and brings together texts about the works in the exhibition.<br /><br />For more information on the artists:<br /><strong>Ekin Bernay:</strong> <a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=c62257b1ba&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">http://www.performistanbul.org/index.php/ekin/</a><br /><strong>Eşref Yıldırım: </strong><a href="http://protocinema.us2.list-manage1.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=b38863f0da&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">http://www.galerizilberman.com/zilberman/esref-yildirim-a154.html</a><br /><strong>Jorge Mendez Blake: </strong><a href="http://protocinema.us2.list-manage1.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=728bdeca5f&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">http://www.mendezblake.com/</a><br /><strong>Meriç Algün Ringborg: </strong><a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=b69ef9b3ba&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">http://www.mericalgunringborg.com/works.html</a><br /><strong>Sultan Burcu Demir: </strong><a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=7d3cb32bba&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">http://sultanburcudemir.wix.com/</a><br /><br /><strong>Naz Cuguoğlu </strong>lives and works in Istanbul. She received her BA at Koç University’s Psychology department and MA at Social Psychology department focusing on cultural studies. She writes art critics and conducts interviews for various magazines including Artful Living, Trendsetter and Istanbul Art News. She is the co-founder of Creative Çukurcuma, co-curator of <a href="http://protocinema.us2.list-manage1.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=31ed3274c3&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">Identity Lab Project</a> in collaboration with Verkstad Konsthall and works at Galeri Zilberman.<br /><br /><strong>Special thanks to: </strong>Serhat Cacekli, Esra.Sertoğlu, Gökcan Demirkazık, Mert Gümren, Mine Kaplangı, Sine Ergün, Lesli Jebahar, Galeri Zilberman team, Simge Burhanoğlu, Nilay Dursun, Ender Başkan, Susanne Ewerlöf, Ayşegül Papila, Sevgi & Salih Cuguoğlu, Kayhan Kaygusuz, and contributors of Proto5533’s fundraising campaign.<br /><br /><strong>Proto5533</strong> presents exhibitions by emerging artists and curators, with guidance from art professionals, mentor curators, from Istanbul and abroad. Proto5533 is a collaboration by Protocinema, an itinerant, site-aware art organization, <a href="http://protocinema.org/" style="color: #004c67; font-weight: bold; text-decoration: none;">protocinema.org</a>, and 5533, an artist run space, <a href="http://imc5533.blogspot.com.tr/" style="color: #004c67; font-weight: bold; text-decoration: none;">imc5533.blogspot.com.tr</a>, bringing together an active generation and providing the relationships and tools to nurture its meaningful growth.<br /><br /><strong>Selected Curators:</strong> Naz Cuguoğlu, Kevser Güler, Mehmet Kahraman, Ghaith Mofeed, Nicole O'Rourke, Ilhan Ozan, Ulya Soley. <strong>Mentor Curators:</strong> Celenk Bafra, Curator, Istanbul Modern, Istanbul; Anne Ellegood, Senior Curator, Hammer Museum, Los Angeles; Övül Durmusoğlu, Independent Curator Berlin/Istanbul; Anthony Huberman, Chief Curator, Wattis ICA, San Francisco; November Paynter, Associate Director of Research and Programs, SALT; Yasmil Raymond, Associate Curator, Museum of Modern Art, New York; Mari Spirito, Director, Protocinema, Istanbul/New York; François Quintin, Director Fondation d'entreprise Galeries Lafayette, Paris.<br /><br />For more information please contact: Mari Spirito, +1917 660 7332, +90541 468 02 14, <a href="http://protocinema.us2.list-manage2.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=29302c6aad&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">mari@protocinema.org</a>, or Naz Cuguoğlu, +90536 3398977, <a href="mailto:ulyasoley@gmail.com" style="color: #004c67; font-weight: bold; text-decoration: none;">nazcuguoglu@gmail.com</a><br /> </div>
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Protocinema Emerging Curator and Artist Series at 5533<br /><br /><span style="font-size: 19px;"><strong>Proto5533: İskenderiye’den Sonra Tufan</strong></span><br /><br /><strong>Sanatçılar:</strong> Ekin Bernay, Eşref Yıldırım, Jorge Mendez Blake, Meriç Algün Ringborg, Sultan Burcu Demir<br /><strong>Küratör:</strong> Naz Cuguoğlu<br /><strong>Sergi tarihleri:</strong> 2 – 23 Nisan 2016, Her cumartesi 12:00- 18:00 </div>
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<strong>Açılış:</strong> 2 Nisan Cumartesi, 16:00 – 18:00<br />İMÇ 5. Blok No: 5533, Unkapanı-İstanbul<br />Recai Mehmed Efendi Kütüphanesi, Cemal Yener Tosyalı Sok No: 26, Unkapanı-İstanbul<br /><br /><strong>Açılış Partisi:</strong> 2 Nisan Cumartesi, 21:00 – 01:00<br />COOP, İstiklal Caddesi, Suriye Pasajı No: 166<br /><br /><strong>Yayın:</strong> İskenderiye’den Sonra Tufan<br />Lansman ve Sohbet: 16 Nisan Cumartesi, 16:00 – 18:00<br />Editör: Gökcan Demirkazık & Tasarım: Mert Gümren<br />Yazarlar: Lesli Jebahar, Mine Kaplangı, Serhat Cacekli, Simge Burhanoğlu, Sine Ergün</div>
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<em>“Bir kitabın ardına düştüm”</em><br /><em>Jorge Luis Borges, Babil Kütüphanesi</em></div>
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<strong>Proto5533</strong> serisi kapsamında sunulan <strong>İskenderiye’den Sonra Tufan</strong> sergisi, sanatçılar <strong>Ekin Bernay, Eşref Yıldırım, Jorge Mendez Blake, Meriç Algün Ringborg, ve Sultan Burcu Demir’</strong>in işlerini bir araya getiriyor. <strong>Naz Cuguoğlu</strong>’nun küratörlüğünde düzenlenen sergi, bilginin günümüzde dijital ve dijital-olmayan kütüphanelerdeki aşırı bilgi yüklemesinde nasıl organize edildiğini, kontrol altında tutulduğunu ve tüketildiğini araştırıyor.<br /><br />Babil Kulesi’yle göğe yükselmenin, İskenderiye Kütüphanesi’yle evrenin tüm bilgisine sahip olmanın hayalini kurmuş olan insanoğlu, günümüzde etrafını sonsuz ve sınırsız bilgiyle donattığı internet çağında yaşıyor. Öyle ki bu sınırsızlık halinde sorguluyoruz: <em>Bilginin kontrolü kimin elinde?</em> <em>Biz dijital ve dijital olmayan kütüphanelerdeki bu bilgi kaosunda nasıl yolumuzu buluyor ve seçimler yapıyoruz?</em>Jorge Luis Borges’in “Babil Kütüphanesi” (1941) hikayesinden yola çıkan ve onun sonsuz altıgenlerden oluşan karanlık yapısıyla pek çok açıdan interneti çağrıştırdığına değinen sergi, bu soruya cevap arıyor.<br /><br />Proto5533’te sergilenen, Blake’in “Borges Kütüphanesi” işi, kitap sırtını andıran dikdörtgen çizimlerden ve ayna modüllerinden oluşuyor ve izleyicileri Borges’in sonsuz kütüphanesi deneyimini yaşamaya davet ediyor. Ringborg’un tiyatro formatındaki “Kör Talihin Dünyası” adlı videosu, senaryosunu Oxford İngilizce Sözlüğü’nden seçilmiş cümlelerden alıyor. Bir oyuncu, monolog provalarını sürdürürken hareketlerinin kontrol altında tutulması, bilgi hiyerarşisi ve kontrol mekanizmaları üzerine düşündürüyor. Yıldırım’ın “Babil Tivitliği” adlı işi, otomatik tamamlama özelliğine sahip bir Twitter hesabı üzerinden izleyicileri internetteki sonsuz bilgi akışına katkıda bulunmaya davet ederek verilerin gerçekliğine inanmanın zorluğunu ve bilginin kontrolünün kimde olduğunu sorguluyor.<br /><br />Recai Mehmed Efendi Kütüphanesi’nde sergilenen, Demir’in “Dizin” adlı kağıttan üretilmiş dünya kürelerinden meydana gelen yerleştirmesi, “metin-biçim”ler oluşturarak okunması fiziksel olarak imkânsız bir içerik sunuyor. Kütüphanelerin hiyerarşik sunumunu ve günümüzde bilginin erişilebilirliğinin sınırlarını sorgularken bir yandan da Borges’in “kütüphane-evren” kavramına referansla görsel bir kütüphane yaratıyor. Bernay’ın performansıysa, izleyicileri kütüphane içindeki kitaplar arasında farklı rotalar çizen, performatif bir yolculuğa davet ediyor. Bilginin kontrol altında olduğu ve yazının salt kendisi için var olduğu bir ortamda hikayeleri insan icadı olan dil ve kodlarla anlamlandırmanın olasılığına dair bir deneyim sunuyor.<br /><br />Sergiye eşlik eden “İskenderiye’den Sonra Tufan” isimli katalog, sergideki işler üzerine olan yazıları bir araya getiriyor.<br /><br />Sanatçılar hakkında daha fazla bilgi için:<br /><strong>Ekin Bernay:</strong> <a href="http://protocinema.us2.list-manage2.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=a51d97af4c&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">http://www.performistanbul.org/index.php/ekin/</a><br /><strong>Eşref Yıldırım: </strong><a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=4d4ef0dec7&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">http://www.galerizilberman.com/zilberman/esref-yildirim-a154.html</a><br /><strong>Jorge Mendez Blake: </strong><a href="http://protocinema.us2.list-manage1.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=4502703c81&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">http://www.mendezblake.com/</a><br /><strong>Meriç Algün Ringborg: </strong><a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=d09707de2a&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">http://www.mericalgunringborg.com/works.html</a><br /><strong>Sultan Burcu Demir: </strong><a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=58e74c0cca&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">http://sultanburcudemir.wix.com/</a><br /><br /><strong>Naz Cuguoğlu,</strong> İstanbul’da yaşamakta ve çalışmaktadır. Koç Üniversitesi Psikoloji bölümünde lisansını tamamladıktan sonra aynı üniversitenin Sosyal Psikoloji departmanında, kültür çalışmalarına yoğunlaşarak yüksek lisansını tamamlamıştır. Artful Living, Trendsetter ve İstanbul Art News gibi pek çok yayın için yazılar yazmaktadır. Creative Çukurcuma’nın eş-kurucusu, IdentityLab projesinin eş-küratörüdür ve Galeri Zilberman’da çalışmaktadır.<br /><br /><strong>Teşekkürler: </strong>Serhat Cacekli, Esra.Sertoğlu, Gökcan Demirkazık, Mert Gümren, Mine Kaplangı, Sine Ergün, Lesli Jebahar, Galeri Zilberman ailesi, Simge Burhanoğlu, Nilay Dursun, Ender Başkan, Susanne Ewerlöf, Ayşegül Papila, Sevgi & Salih Cuguoğlu, Kayhan Kaygusuz, ve Proto5533’ün başlattığı kampanyaya destek veren herkese çok teşekkürler.<br /><br /><strong>PROTO5533</strong> genç sanatçı ve küratörlerin danışmanlık sistemi ve kamusal bir program eşliğinde düzenledikleri bir yıllık bir sergi dizisi. PROTO5533 programı genç sanatçı ve küratörlere sergi düzenleme deneyimi kazanmaları için bir gelişim alanı sağlıyor. Seçilen küratörler, küratöryal sürece dair bilgi ve anlayış kazanmak ve kendi seslerini bulmak için danışmanlarla birlikte çalışıyor. Protocinema ve 5533 kariyerlerinin başlangıcındaki sanatçı ve küratörlere gelişmek için ihtiyaç duydukları araçları sunarak bir sonraki neslin diyaloğa anlamlı bir katkıda bulunacak donanıma sahip olmasını sağlıyor.<br /><br /><strong>Seçilen Küratörler:</strong> Naz Cuguoğlu, Kevser Güler, Mehmet Kahraman, Ghaith Mofeed, Nicole O'Rourke, Ilhan Ozan, Ulya Soley. <strong>Danışman Küratörler: </strong>Çelenk Bafra, Küratör, İstanbul Modern, İstanbul; Anne Ellegood, Uzman Küratör, Hammer Museum, Los Angeles; Övül Durmuşoğlu, Bağımsız Küratör Berlin/İstanbul; Anthony Huberman, Baş Küratör, Wattis İCA, San Francisco; November Paynter, Araştırma ve Programlar Genel Müdürü, SALT; Mari Spirito, Direktör, Protocinema, İstanbul/New York; François Quintin, Direktör, Fondation d'entreprise Galeries Lafayette, Paris.<br /><br />Bilgi için: Mari Spirito, +1917 660 7332, +90541 468 02 14, <a href="mailto:" style="color: #004c67; font-weight: bold; text-decoration: none;">mari@protocinema.org</a> ve Naz Cuguoğlu, +90536 3398977, <a href="mailto:nazcuguoglu@gmail.com" style="color: #004c67; font-weight: bold; text-decoration: none;">nazcuguoglu@gmail.com</a></div>
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5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-70905972253870791752016-03-04T09:12:00.002-08:002016-03-04T09:12:27.388-08:00Living/Matter: In and Through // Canlı/Madde: İçinde ve İçinden<table align="left" border="0" cellpadding="0" cellspacing="0" class="righttable" style="color: #484849; font-family: Helvetica, Arial, sans-serif; font-size: 13px; position: relative; width: 600px;"><tbody>
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<span style="color: #b45f04;">Türkçe metin aşağıdadır</span><br /><br /><span style="font-size: 19px;"><strong>Proto5533</strong></span><br />Protocinema Series at 5533<br />presents<br /><br /><span style="font-size: 19px;"><strong><em>Living/Matter: In and Through</em></strong></span><br />Artists: Essi Kausalainen and Müge Yılmaz<br />Curator: Kevser Güler</div>
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Essi Kausalainen, still, <em>Botanik</em>, 2011</div>
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Exhibition Dates: 5-26 March, 2016<br />Opening: 5 March, 16:00 – 18:00<br /><br />At İMÇ 5. Blok, No: 5533, Unkapanı, İstanbul<br /><br />Proto5533 presents <em>Living/Matter: In and Through </em>with works by Essi Kausalainen and Müge Yılmaz curated by Kevser Güler, which explores the distinct attitudes towards nature and living beings.<br /><br />Together with the technological interventions upon living matter and the global capitalism’s seeing the ‘living being’ as its main capital, the discussions on nature, life and future of living beings have been proliferating in the last couple of decades. The scientific proposal, made to date the new geological era the Anthropocene describing human’s becoming principal agents effecting all life on this planet, also the facts about the ecological crisis and the climate change are calling for rethinking human being’s position and complex web of relationships on earth.<br /> <br />Müge Yılmaz’s <em>The Water, the Soil, the Jungle</em>, 2016, is a vitrine installation incorporating the ghillie suits. The ghillie suits are camouflage clothing, mostly used by the nature photographers and bird observers, which have also been used by hunters. Through the installation, Müge refers to human beings’ two particular manners of approaching to nature; the tendencies of the subjectification of the nature that redefines nature as an actant, or the naturalization of the subject which underlines that nature always already embraces each and every living being including human. It also has connotations relating to the myths and stories in which nature is depicted as a talking or acting subject; and at the same time to the current discourses of the environmentalists, which may be summarized with the sentence “We are nature defending itself”.<br /><br />Essi Kausalainen’s Botanic, 2011 including performative videos and living plants installation explores the possibilities of communication through plants’ ways of being. She anticipates the complex interaction and the dialogue between human beings and plants. By building inter-species companionships and by approaching plants as co-performers she aims to escape the anthropocentric, hierarchical and linear ways of thinking and performing. She has realized the videos in a botanic garden in collaboration with the plants there and in the exhibition space she invites new plants to continue the performance and interact with the visitors during the exhibition period.<br /><br />In reference to the continuum of nature-culture and human-nonhuman, the dialogue of <em>Botanic</em>, 2011 and <em>The Water, the Soil, the Jungle</em>, 2016, explores new ways of engagement, interaction and possibilities as well as limits of human community. <em>Living/Matter: In and Through</em> intends to open conversations about possible future vocabularies and imaginaries of the post-human subjectivities and the relationship to nonhuman others, to the animate and inanimate beings.<br /><br />Essi Kausalainen (1979) has studied performance art and theory in Turku Arts Academy and the Theatre Academy of Finland. Her work has been exhibited and performed in venues such as la Galerie (Noisy-le-Sec), Moderna Museet (Malmö), Frankfurter Kunstverein, Museum for Contemporary Art Roskilde, Nikolaj Kunsthalle (Copenhagen) and Kunstraum Bethanien (Berlin).<a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=3a9a6b12e4&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">essikausalainen.com</a><br /><br />Müge Yılmaz (1985) has studied Photography in ISIA and Visual Arts in Urbino. She concluded a two year residency at the Rijksakademie van Beeldende Kunsten in 2014. Her works has recently been featured in spaces After Hours (Paris), Pratt Manhattan Gallery (New York), WP Zimmer (Antwerp), MoMart (Amsterdam) and Aksanat (Istanbul). <a href="http://protocinema.us2.list-manage1.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=2d36559c77&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">mugeyilmaz.com</a><br /> <br />Kevser Guler (1983) studied engineering and philosophy in Bogazici and Galatasaray Universities. She worked in Istanbul Biennial between 2007 – 2014. Since October 2014, she has been working as a researcher for Vehbi Koç Foundation Contemporary Art Museum. Kevser is the associate curator of the contemporary art program of Cappadox, 2016 which will be realized with the theme ‘Let’s Cultivate Our Garden.’<br /><br /><strong>Proto5533 </strong>presents exhibitions by emerging artists and curators, with guidance from art professionals, mentor curators, from Istanbul and abroad. Proto5533 is a collaboration by Protocinema, an itinerant, site-aware art organization, <a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=e0d352493c&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">protocinema.org</a>, and 5533, off-space run by artists Nancy Atakan and Volkan Aslan, <a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=ff7a6fef33&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">imc5533.blogspot.com.tr</a>, bringing together an active generation and providing the relationships and tools to nurture its meaningful growth. Selected Curators: Naz Cuguoğlu, Kevser Güler, Mehmet Kahraman, Ghaith Mofeed, Nicole O'Rourke, Ilhan Ozan, Ulya Soley. Mentor Curators: Celenk Bafra, Curator, Istanbul Modern, Istanbul; Anne Ellegood, Senior Curator, Hammer Museum, Los Angeles; Övül Durmusoğlu, Independent Curator Berlin/Istanbul; Anthony Huberman, Chief Curator, Wattis ICA, San Francisco; November Paynter, Associate Director of Research and Programs, SALT; Yasmil Raymond, Associate Curator, Museum of Modern Art, New York; Mari Spirito, Director, Protocinema, Istanbul/New York; François Quintin, Director Fondation d'entreprise Galeries Lafayette, Paris.<br /><br />For more information please contact: Kevser Güler <a href="mailto:guler.kevser@gmail.com" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">guler.kevser@gmail.com</a> or Mari Spirito <a href="mailto:mari@protocinema.org" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">mari@protocinema.org</a> +90541 468 0214</div>
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<strong style="font-size: 19px;">Proto5533</strong><br /><span style="font-size: 19px;"><span style="font-size: 14px;">sunar</span><br /><br /><em><strong>Canlı/Madde: İçinde ve İçinden</strong></em></span><br />Sanatçılar: Essi Kausalainen, Müge Yılmaz<br />Küratör: Kevser Güler</div>
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Essi Kausalainen, still, <em>Botanik</em>, 2011</div>
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Açılış: 5 Mart, 16:00 – 18:00<br />Sergi Tarihleri: 5-26 Mart, Pazartesi-Cumartesi<br /><br />Mekan: 5533, İMÇ 5. Blok, No: 5533, Unkapanı, İstanbul<br /><br />Proto5533 serisi kapsamında sunulan Canlı/Madde: İçinde ve İçinden sergisi, sanatçılar Essi Kausalainen ve Müge Yılmaz’ın işlerini bir araya getiriyor. Kevser Güler’in küratörlüğünde düzenlenen sergi, doğaya ve yaşayan varlıklara bakış ve temas biçimlerini araştırıyor.<br /><br />Canlı maddeye teknolojik müdahaleler ve küresel kapitalizmin “canlı varlığı” bir sermaye olarak görmesi, doğa, yaşam ve canlıların geleceği üzerine tartışmaları son yıllarda arttırdı. İnsanın gezegen üzerindeki tüm canlıları etkileyen en belirgin aktör olmasıyla tanımlanan yeni jeolojik çağ Antroposen, ve beraberinde ekolojik kriz ve iklim değişikliği ile ilgili olgular, insanın yeryüzündeki konumu ve ilişkilenme biçimlerini yeniden düşünmeye çağırıyor.<br /><br />Canlı/Madde: İçinde ve İçinden Essi Kausalainen (Helsinki) ve Müge Yılmaz’ın (Amsterdam) doğaya ve yaşayan varlıklara bakış ve temas biçimleri üzerine düşünen iki işini bir araya getiriyor. Essi’nin video ve bitki yerleştirmesi insanlar ve bitkilerin katmanlı etkileşimini öne çıkarırken; Müge’nin heykel yerleştirmesi insanın doğayla çoktan farklılaşmış ilişkisine dair sorularla ilgileniyor. Essi ve Müge, doğa-kültür ayrımı ile ilgili genel kanılara karşı çıkarak, insan bedeninin yeryüzündeki yeri hakkındaki tartışmalara katkıda bulunuyorlar.<br /><br />Müge Yılmaz’ın Su, Toprak, Orman, 2016 işi, ‘ghillie’ kostümlerinden yola çıkarak oluşturduğu bir vitrin yerleştirmesi. Bu kostümler günümüzde en çok kuş gözlemcileri ve doğa fotoğrafçıları tarafından kullanılan, geçmişte avcılar tarafından da kullanılmış kamuflaj kıyafetleri. Müge bu yerleştirmesiyle, insanın doğaya yaklaşımının belirgin iki biçimini işaret ediyor; ilki doğayı bir fail olarak öne çıkarak doğanın özneleştirildiği yaklaşım, ikincisi ise özneyi doğayla özdeş tutan, doğanın insan dahil tüm yaşayan varlıklarla bir olduğunun altını çizen öznenin ‘doğalaştırıldığı’ bir yaklaşım. Yerleştirme, doğanın konuşan yada eylemde bulunan bir özne olarak betimlendiği mitler ve hikayeleri de çağrıştırırken; güncel çevre mücadelesinin ‘Biz kendini savunan doğayız’ söylemiyle de ilişki kuruyor.<br /><br />Essi Kausalainen’in performatif videolar ve canlı bitkilerden oluşan yerleştirmesi Botanik, 2011 ile bitkilerin varoluşuna öykünerek başka iletişim biçimlerinin imkanlarını araştırıyor ve insanlarla bitkilerin katmanlı etkileşimi ve iletişimine odaklanıyor. Türler arası dostluklar inşa ederek ve bitkilere birlikte hareket ettiği performansçılar gibi yaklaşarak, insanmerkezci, hiyerarşik ve lineer düşünme ve performans yollarından uzaklaşmayı hedefliyor. Sergilenen videolardaki performansları bir botanik bahçesinde bitkilerle işbirliği içinde gerçekleştiren sanatçı, sergi mekanına yeni bitkiler davet ediyor ve bu yeni bitkilerin performansı ve izleyici ile etkileşimi devam ettirmesini hedefliyor.<br /><br />Doğa-kültür ve insan-insanolmayan ayrımlarını sorunsallaştırıp sürekliliklerine işaret ederek, Botanik, 2011 ve Su, Toprak, Orman, 2016’ın diyalogu yeni ilişkilenme ve etkileşim biçimleriyle birlikte, insan topluluğunun imkanları ve sınırlarını da araştırıyor. Canlı/Madde: İçinde ve İçinden, insan-sonrası (post-human) öznellik ve insan olmayan, canlı ve cansız başkalarıyla ilişki biçimlerinin gelecekteki sözcük ve imgeleri üzerine konuşmalar açmayı arzu ediyor.<br /><br />Essi Kausalainen (1979) Turku Sanat Akademisi ve Finlandiya Tiyatro Akademisi’nde Performans ve Teori okudu. İşlerinin gösterildiği ve performanslarının gerçekleştiği bazı mekanlar La Galerie (Noisy-le-Sec), kim? (Riga), Moderna Museet (Malmö), Frankfurter Kunstverein, Roskilde Çağdaş Sanat Müzesi, Nikolaj Kunsthalle (Kopenhag) ve Kunstraum Bethanien (Berlin). <a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=72abd5de70&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">http://www.essikausalainen.com/</a><br /><br />Müge Yılmaz (1985) ISIA’da Fotoğraf ve Urbino’da Görsel Sanatlar eğitiminin ardından 2014’te Rijksakademie van Beeldende Kunsten’de iki yıllık misafir sanatçı programını tamamladı. İşleri yakın zamanda After Hours (Paris), Pratt Manhattan Gallery (New York), WP Zimmer (Antwerp), MoMart (Amsterdam) ve Aksanat (İstanbul)’da sergilenmiştir. <a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=c1a631fc5c&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">http://www.mugeyilmaz.com/</a><br /><br />Kevser Güler (1983) Boğaziçi ve Galatasaray Üniversitelerinde mühendislik ve felsefe eğitimi aldı. 2007 – 2014 yılları arasında İstanbul Bienali’nde çalıştı. Ekim 2014’ten bu yana, Vehbi Koç Vakfı Güncel Sanat Müzesi için araştırmacı olarak görev yapıyor. ‘Gelin Bahçemizi Ekelim’ temasıyla gerçekleştirilecek Cappadox, 2016’nın çağdaş sanat programının yardımcı küratörlüğünü üstleniyor.<br /><br /><strong>PROTO5533</strong> genç sanatçı ve küratörlerin danışmanlık sistemi ve kamusal bir program eşliğinde düzenledikleri bir yıllık bir sergi dizisi. PROTO5533 programı genç sanatçı ve küratörlere sergi düzenleme deneyimi kazanmaları için bir gelişim alanı sağlıyor. Seçilen küratörler, küratöryal sürece dair bilgi ve anlayış kazanmak ve kendi seslerini bulmak için danışmanlarla birlikte çalışıyor. Protocinema ve 5533 kariyerlerinin başlangıcındaki sanatçı ve küratörlere gelişmek için ihtiyaç duydukları araçları sunarak bir sonraki neslin diyaloğa anlamlı bir katkıda bulunacak donanıma sahip olmasını sağlıyor.<br />Seçilen Küratörler: Naz Cuguoğlu, Kevser Güler, Mehmet Kahraman, Ghaith Mofeed, Nicole O'Rourke, Ilhan Ozan, Ulya Soley. Danışman Küratörler: Çelenk Bafra, Küratör, İstanbul Modern, İstanbul; Anne Ellegood, Uzman Küratör, Hammer Museum, Los Angeles; Övül Durmuşoğlu, Bağımsız Küratör Berlin/İstanbul; Anthony Huberman, Baş Küratör, Wattis İCA, San Francisco; November Paynter, Araştırma ve Programlar Genel Müdürü, SALT; Mari Spirito, Direktör, Protocinema, İstanbul/New York; François Quintin, Direktör, Fondation d'entreprise Galeries Lafayette, Paris.<br /><br />Daha fazla bilgi için Kevser Güler <a href="mailto:guler.kevser@gmail.com" style="color: #004c67; font-weight: bold; text-decoration: none;">guler.kevser@gmail.com</a>, Mari Spirito <a href="mailto:" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">mari@protocinema.org</a> +90541 468 0214</div>
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5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-47813833851205089542016-02-03T09:20:00.002-08:002016-02-17T02:40:22.569-08:00 STEREO-REALITY, Sergi Açılışı / Opening: 6 Şubat / February<table align="center" bgcolor="#FFFFFF" border="0" cellpadding="0" cellspacing="20" class="contenttable" style="background-color: white; color: #484849; font-family: Helvetica, Arial, sans-serif; font-size: 13px; position: relative; width: 600px;"><tbody>
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<span style="color: #b45f04;">Türkçe metin aşağıdadır</span><br />
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<span style="font-size: 19px;"><strong>Proto5533</strong></span><br />
Protocinema Series at 5533<br />
presents<br />
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<span style="font-size: 19px;"><strong>STEREO-REALITY</strong></span><br />
Artists: Volkan Şenozan, Deniz Tortum<br />
Curator: Ulya Soley<br />
6 – 27 February 2016, Saturdays 12:00- 18:00 </div>
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<strong>Opening:</strong> February 6, Saturday, 16:00 – 18:00<br />
İMÇ 5. Blok No: 5533, Unkapanı-Istanbul<br />
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<strong>After-Party:</strong> February 6, Saturday, 21:00 – 01:00<br />
COOP, İstiklal Caddesi, Suriye Pasajı No: 166<br />
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<strong>Talk:</strong> Cinema vs. Games<br />
Fatma Çolakoğlu (Film and Video Curator at Pera Museum) and<br />
Hasan Çolakoğlu (Country Manager- Turkey for Riot Games)<br />
27 February 2016, 15:00<br />
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<strong>Publication:</strong> SECRETS ARE LIES<br />
Edited by Berk Çakmakçı<br />
Contributors: Aslı Serbest & Mona Mahall, Austin White, Bora Akıncıtürk, Can Evrenol, Deniz Tortum, Erdal İnci, Fatma Çolakoğlu, Gabriel Sanchez, Onur Gökmen, Ulya Soley, Volkan Şenozan, Yılmaz Şen.</div>
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‘On the Internet, nobody knows you’re a dog.’(1)</div>
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<strong>Proto5533</strong> presents <strong>STEREO-REALITY</strong> with <strong>Volkan Şenozan</strong> and <strong>Deniz Tortum</strong>, curated by <strong>Ulya Soley</strong>, which explores how ‘post-internet’ art accommodates the current equations of private is public, real is virtual and secrets are lies.<br />
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Seemingly, the boundaries between public and private life have been dissolving as the rise of the digital (the Internet as a $11 trillion economy) continues. As increasingly more personal lives become public online, ‘you exist as much as you expose yourself’ motto pushes its way into the culture, and surveillance is internalized. At the same time, alternative methods are increasingly used to secure privacy in this current situation. What are some visual consequences of this duality, especially regarding the ‘post-internet’(2) works? The exhibition takes its title from Virilio’s idea that rather than replacing reality, virtual reality sits alongside actual reality, so that our current reality consists of two overlapping channels, much like stereo-vision or stereo-sound, and it brings together video and audio installations of Deniz Tortum, an experimental video and filmmaker, and Volkan Şenozan, an artist known for his net-based digital collages and videos.<br />
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Deniz Tortum’s single channel video <em>Corridor of Memories Walkthrough </em>(2015), stands at the intersection of game and video art, which enables a sort of <em>slacktivism</em>, inviting the audience to watch but not to participate. In this “anti-game”, the artist walks between hills made of his and his poet friends' images, and on the left hand corner he appears as a regular gamer. The work explores the social implications of using computer-generated models. These models are able to provoke the relationship between a real world that is lost, and can be replaced by its representations made solely for computers/machines.<br />
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Volkan Şenozan’s audio-installation <em>Desiring Machine version 2.2 </em>(2016) features improvements and refinements to the previous editions. Its title refers to Deleuze and Guattari’s <em>Anti-Oedipus</em>, in which they explain the mechanical nature of desire. Comprised of a printed drapery hung from the ceiling, its imagery predicts a sterile future while its materiality functions as a cover. Its audio component is a robotic voice that starts speaking out the following sentence: “I am a machine (a real one). I breathe, I heat, I shit and fuck.”<br />
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A publication accompanying the exhibition and edited by artist Berk Çakmakçı, brings together writing and visual works from different fields that adopt a certain common language, engaging with the ‘post-internet’ culture and presents a bilingual resource on the subject matter. Overall, the exhibition will explore what could be produced out of this dynamic with our current tools and strategies.</div>
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<li>Peter Steiner, Caption of The New Yorker cartoon, published by The New Yorker on July 5, 1993.</li>
<li>Although the term ‘post-internet’ was first used in 2006 by Marisa Olson, it opened up a wide dialogue, and it was discussed, changed and evolved continuously since then. Here it refers to a certain common language of art engaged with the Internet. </li>
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<strong>Deniz Tortum </strong>is a filmmaker and a graduate student at MIT Comparative Media Studies. His first feature film, Zayiat has been screened internationally, including SxSW and !F Istanbul Film Festivals. At MIT, Deniz is also a research assistant at Open Documentary Lab; his research currently focuses on documentary games and virtual reality.<br />
<a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=bb83fb705e&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">deniztortum.co</a><br />
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<strong>Volkan Şenozan </strong>was born in Ankara in 1984, studied economics at Izmir University of Economics. He developed an interest in coding around 2007, which eventually lead to an enthusiasm towards new media arts. His art utilizes disturbing images of taboo subjects. Highlights disruptive phenomena in a hidden yet brave and ambiguous style. He uses aggressive montage combined with partly found-footage material and mental as well as visual mind games, such as hidden links, resulting in a powerfully crude final image. He had a solo show “Real as a Feeling” at Torun, Ankara in 2014. Lives and works in Istanbul.<br />
<a href="http://protocinema.us2.list-manage1.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=aa1f5ba969&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">volkansenozan.com</a><br />
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<strong>Ulya Soley </strong>studied Art History and Psychology at McGill University. She co-founded Maybe Art Projects, an independent platform that explores ways of curating. Currently she works at Pera Museum and regularly contributes to Istanbul Art News.<br />
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<strong>Special thanks to: </strong>Fatma Çolakoğlu, Mari Spirito, Volkan Aslan, Nancy Atakan, Cenk Al, Selim Can Bilgin, November Paynter, Hasan Çolakoğlu, Emre Gözgü, Onur Gökmen, Gabriel Sanchez, Can Evrenol, Aslı Serbest, Mona Mahall, Bora Akıncıtürk, Yılmaz Şen, Austin White, Erdal İnci, and contributors of Proto5533’s fundraising campaign on KissKiss BankBank.<br />
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<strong>Proto5533</strong> presents exhibitions by emerging artists and curators, with guidance from art professionals, mentor curators, from Istanbul and abroad. Proto5533 is a collaboration by Protocinema, an itinerant, site-aware art organization, <a href="http://protocinema.org/" style="color: #004c67; font-weight: bold; text-decoration: none;">protocinema.org</a>, and 5533, an artist run space, <a href="http://imc5533.blogspot.com.tr/" style="color: #004c67; font-weight: bold; text-decoration: none;">imc5533.blogspot.com.tr</a>, bringing together an active generation and providing the relationships and tools to nurture its meaningful growth.<br />
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<strong>Selected Curators:</strong> Naz Cuguoğlu, Kevser Güler, Mehmet Kahraman, Ghaith Mofeed, Nicole O'Rourke, Ilhan Ozan, Ulya Soley. <strong>Mentor Curators:</strong> Celenk Bafra, Curator, Istanbul Modern, Istanbul; Anne Ellegood, Senior Curator, Hammer Museum, Los Angeles; Övül Durmusoğlu, Independent Curator Berlin/Istanbul; Anthony Huberman, Chief Curator, Wattis ICA, San Francisco; November Paynter, Associate Director of Research and Programs, SALT; Yasmil Raymond, Associate Curator, Museum of Modern Art, New York; Mari Spirito, Director, Protocinema, Istanbul/New York; François Quintin, Director Fondation d'entreprise Galeries Lafayette, Paris.<br />
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For more information please contact: Mari Spirito, +1917 660 7332, +90541 468 02 14, <a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=129dba2cff&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">mari@protocinema.org</a>, or Ulya Soley, +90537 2010111, <a href="mailto:ulyasoley@gmail.com" style="color: #004c67; font-weight: bold; text-decoration: none;">ulyasoley@gmail.com</a><br />
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<strong>Printing sponsor </strong></div>
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<strong style="font-size: 19px;">Proto5533</strong><br />
<span style="font-size: 19px;"><span style="font-size: 14px;">sunar</span><br /><br /><strong>STEREO-GERÇEKLİK</strong></span><br />
Sanatçılar: Volkan Şenozan, Deniz Tortum<br />
Küratör: Ulya Soley<br />
6 – 27 Şubat 2016, Her cumartesi 12:00- 18:00 </div>
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<strong>Açılış:</strong> 6 Şubat Cumartesi, 16:00 – 18:00<br />
İMÇ 5. Blok No: 5533, Unkapanı-Istanbul<br />
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<strong>Açılış Partisi:</strong> 6 Şubat Cumartesi, 21:00 – 01:00<br />
COOP, İstiklal Caddesi, Suriye Pasajı No: 166<br />
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<strong>Konuşma:</strong> Sinema vs. Oyun<br />
Fatma Çolakoğlu (Pera Müzesi Film ve Video Küratörü) ve<br />
Hasan Çolakoğlu (Riot Games Türkiye Ülke Müdürü)<br />
27 Şubat 2016, 15:00<br />
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<strong>Yayın:</strong> SECRETS ARE LIES<br />
Editör: Berk Çakmakçı<br />
Katkıda bulunanlar: Aslı Serbest & Mona Mahall, Austin White, Bora Akıncıtürk, Can Evrenol, Deniz Tortum, Erdal İnci, Fatma Çolakoğlu, Gabriel Sanchez, Onur Gökmen, Ulya Soley, Volkan Şenozan, Yılmaz Şen.</div>
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“İnternette, kimse bir köpek olduğunuzu bilmez.”(1)</div>
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<strong>Proto5533</strong> serisi kapsamında sunulan <strong>STEREO-GERÇEKLİK</strong> sergisi, sanatçılar <strong>Volkan Şenozan</strong> ve <strong>Deniz Tortum</strong>’un işlerini bir araya getiriyor. <strong>Ulya Soley’in</strong> küratörlüğünde düzenlenen sergi, ‘post-internet’ sanatın bugünün özel/kamusal, gerçek/sanal, sır/yalan gibi ikilemleri nasıl ele aldığını araştırıyor.<br />
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İnternetin 11 trilyon dolarlık bir ekonomiye dönüşmesi ve dijitalin yükselişiyle, toplumsal ve özel hayat arasındaki sınırlar giderek belirsizleşiyor. Gün geçtikçe daha çok özel hayat, online olarak topluma mal oluyor, “kendini gösterdiğin kadar varsın” sloganı kültürel olarak yaygınlaşıyor ve gözetim içselleştiriliyor. Bir yandan da gizliliği korumaya yönelik alternatif tedbirlerin sayısı artıyor. Bu ikilemin, özellikle de ‘post-internet’ sanat(2) bağlamında, ne tür görsel sonuçları olabilir? Başlığını Virilio’nun sanal gerçeklik üzerine geliştirdiği bir kavramdan alan sergi, Deniz Tortum’un <em>Hatıralar Koridoru Walkthrough</em> videosu ile Volkan Şenozan’ın <em>Arzu Makinası versiyon 2.2</em> başlıklı ses enstalasyonunu bir araya getiriyor.<br />
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Deniz Tortum’un<em> Hatıralar Koridoru Walkthrough </em>(2015) başlıklı videosu, ziyaretçileri katılmayıp izlemeye teşvik eden, bu yönüyle de oyun ve video sanatının kesişim noktasında duran bir çalışma. Bu “anti-oyun”da, sanatçı kendisinin ve şair arkadaşının görüntülerinden modellediği tepeler arasında yürüyor, sol alt köşede beliren küçük ekranda ise sıradan bir oyuncu gibi görünüyor. Video, bilgisayarda modellenen görüntülerin sosyal içeriğini irdeliyor. Bu modeller kayıp gerçek dünya ve ancak onu geri çağıran bilgisayarlar/makinalar için yapılan temsiller arasında bir ilişki kuruyor.<br />
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Volkan Şenozan’ın ses enstalasyonu <em>Arzu Makinası versiyon 2.2</em> (2016) başlığını Deleuze ve Guattari’nin arzunun mekanik doğasını açıklayan <em>Anti-Oedipus’</em>undan alıyor. Tavandan asılan kumaşın üzerinde yer alan görsel, steril bir gelecek öngörüsünde bulunurken, maddeselliği bir örtü görevi görüyor. Ses bölümü ise çeşitli metinlerden bir araya getirilen kolaj metni okuyan robotik bir kadın sesinden oluşuyor: “Ben bir makinayım (gerçek bir makina). Nefes alıyorum, ısınıyorum, sıçıyorum ve sevişiyorum.”<br />
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Sanatçı Berk Çakmakçı’nın editörlüğünde hazırlanan ve sergiye eşlik eden yayın SECRETS ARE LIES, bu konudan yola çıkarak ‘post-internet’ kültür dâhilinde belli bir ortak paydada buluşan görsel işler ve metinleri bir araya getiriyor ve bu dinamiklere odaklanan iki dilli bir kaynak sunmayı da hedefliyor.</div>
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<li>Peter Steiner, The New Yorker’da yayınlanan bir karikatürden bir alıntı, The New Yorker, 5 Temmuz 1993.</li>
<li>‘Post-internet’ terimi ilk defa 2006’da Marisa Olson tarafından kullanıldı, fakat o zamandan beri konuyla ilgili geniş kapsamlı tartışmalar yapılıyor ve bu terim değişik biçimlerde evrilerek kullanılmaya devam ediliyor. Buradaki kullanım, internet kültürüyle diyalog kuran bir dili benimseyen işlere işaret ediyor. </li>
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<strong>Deniz Tortum</strong> MIT Karşılaştırmalı Medya Çalışmaları bölümünde doktora öğrencisi ve sinemacı. İlk uzun metraj filmi Zayiat, SxSW ve !F Istanbul dahil olmak üzere uluslararası festivallerde gösterildi. MIT’de bir yandan Open Documentary Lab’de araştırma asistanı olarak çalışmalarına devam eden Deniz Tortum, belgesel, oyun ve sanal gerçeklik üzerine araştırmalar yürütüyor.<br />
<a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=46c5e2b745&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">deniztortum.co</a><br />
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<strong>Volkan Şenozan</strong>, 1984 yılında Ankara’da doğdu. İzmir Ekonomi Üniversitesi ekonomi bölümünden mezun oldu. Aynı dönemde kodlamaya olan ilgisi yeni medya ve “post-internet” sanatında bir üretime dönüştü. İşlerinde tabulaşmış konuların rahatsız edici görüntülerinden faydalanan sanatçı, yıkıcı fenomenleri gizli ancak cesur bir şekilde vurguluyor. Saldırgan ve sade tekniğinin yanı sıra, görsel bir zeka oyunu ortaya koymak adına kullandığı gizli bağlantılar ile ham ve güçlü bir son görüntü oluşturuyor. İstanbul’da yaşıyor ve çalışıyor.<br />
<a href="http://protocinema.us2.list-manage1.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=2d0d8bcee7&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">volkansenozan.com</a><br />
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<strong>Ulya Soley</strong> McGill Üniversitesi’nin Sanat Tarihi ve Psikoloji bölümlerinden mezun oldu. Pera Müzesi’nde çalışıyor , İstanbul Art News için yazıyor ve eş kurucusu olduğu Maybe Art Projects ile projeler yürütüyor.<br />
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<strong>Teşekkürler: </strong>Fatma Çolakoğlu, Mari Spirito, Volkan Aslan, Nancy Atakan, Cenk Al, Selim Can Bilgin, November Paynter, Hasan Çolakoğlu, Emre Gözgü, Onur Gökmen, Gabriel Sanchez, Can Evrenol, Aslı Serbest, Mona Mahall, Bora Akıncıtürk, Yılmaz Şen, Austin White, Erdal İnci ve Proto5533’ün KissKiss BankBank üzerinden başlattığı kampanyaya destek veren herkese çok teşekkürler.<br />
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<strong>PROTO5533</strong> genç sanatçı ve küratörlerin danışmanlık sistemi ve kamusal bir program eşliğinde düzenledikleri bir yıllık bir sergi dizisi. PROTO5533 programı genç sanatçı ve küratörlere sergi düzenleme deneyimi kazanmaları için bir gelişim alanı sağlıyor. Seçilen küratörler, küratöryal sürece dair bilgi ve anlayış kazanmak ve kendi seslerini bulmak için danışmanlarla birlikte çalışıyor. Protocinema ve 5533 kariyerlerinin başlangıcındaki sanatçı ve küratörlere gelişmek için ihtiyaç duydukları araçları sunarak bir sonraki neslin diyaloğa anlamlı bir katkıda bulunacak donanıma sahip olmasını sağlıyor.<br />
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<strong>Seçilen Küratörler:</strong> Naz Cuguoğlu, Kevser Güler, Mehmet Kahraman, Ghaith Mofeed, Nicole O'Rourke, Ilhan Ozan, Ulya Soley. <strong>Danışman Küratörler: </strong>Çelenk Bafra, Küratör, İstanbul Modern, İstanbul; Anne Ellegood, Uzman Küratör, Hammer Museum, Los Angeles; Övül Durmuşoğlu, Bağımsız Küratör Berlin/İstanbul; Anthony Huberman, Baş Küratör, Wattis İCA, San Francisco; November Paynter, Araştırma ve Programlar Genel Müdürü, SALT; Mari Spirito, Direktör, Protocinema, İstanbul/New York; François Quintin, Direktör, Fondation d'entreprise Galeries Lafayette, Paris.<br />
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Bilgi için: Mari Spirito, +1917 660 7332, +90541 468 02 14, <a href="mailto:" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">mari@protocinema.org</a> ve<br />
Ulya Soley, +90537 2010111, <a href="mailto:ulyasoley@gmail.com" style="color: #004c67; font-weight: bold; text-decoration: none;">ulyasoley@gmail.com</a><br />
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<strong>Baskı sponsoru </strong></div>
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5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-22965392522039691592015-10-27T01:19:00.004-07:002015-10-27T01:19:48.097-07:00GHAITH MOFEED / The value of a cell // Bir Hücrenin Kıymeti
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<span class="s1">Türkçe metin aşağıdadır</span></div>
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<span class="s1"><b>Proto5533</b></span></div>
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<span class="s1">Protocinema Series at 5533</span></div>
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<span class="s1">presents</span></div>
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<span class="s1"><b>GHAITH MOFEED </b></span></div>
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<span class="s1"><i>The value of a cell </i></span></div>
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<span class="s1">Ghaith Mofeed, Detail: <i>The Journey of a Cell</i>, 2015</span></div>
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<span class="s1"><b>Opening event: Saturday, October 31, 4:00-6:00 pm</b></span></div>
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<span class="s1">Exhibition date: October 31 – November 28, 2015</span></div>
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<span class="s1">Open: Saturdays, 12:00 pm-6:00 pm</span></div>
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<span class="s1">İMÇ 5. Blok No: 5533, Unkapanı-Istanbul</span></div>
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<span class="s1"><b>Proto5533</b> presents <b><i>The value of a cell</i></b>, an exhibition of new work by artist/curator <b>Ghaith Mofeed</b>, which looks at the value of value, meaning the moment when we come to understand the real value of what we have, in relationship to what we're gaining and what we're losing.</span></div>
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<span class="s1">The exhibition is made of three works, which are the culmination of one year of research following his ancestors journey across six generations. The first work, <i>The Value of Value</i>, 2015. is a version of traditional calligraphy, that is normally hand made, in one or two colors, and in this case computer generated in many colors. The text translates as “If the precious is lost, let there be no regret if the meretricious has vanished too”. The second work,<i> Beyoflu</i>, 2015, consists of a pot filled with earth from the Istanbul neighborhood, Beyoğlu, and seeds from another place, Of, Trabzon in the Black Sea region. “I went to get a plant, got seeds. The words of my relatives there made me realize how many plants I am already seeding. Syrians we were born. Our view is not the same anymore, it has been scattered here and there, along with our value, scattered on the sand, and we've been told to collect it with bear feet on a windy day.” 1.</span></div>
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<span class="s1">The central work,<i> The Journey of a Cell</i>, 2015, is a wall installation charting the journey of two men, the son of a counselor to the Ottoman Sultan Abdulhamit, and his son. A tale of two parts, the viewer witnesses these people (including their cells), returning full circle to the place of origin. “Humans first ventured out of Africa some 60,000 years ago, they left genetic footprints still visible today. By mapping the appearance and frequency of genetic markers in modern peoples, we create a picture of when and where ancient humans moved around the world. These great migrations eventually led the descendants of a small group of Africans to occupy the farthest reaches of the Earth.” 2 <i>The Journey of a Cell</i>, is not only about the significance of these specific men's journeys, it is about the human journey, and in particular, the journey that is still going on today.</span></div>
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<span class="s1">1. Ghaith Mofeed</span></div>
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<span class="s1">2. National Geographic, The National Genographic, “The Human Journey”</span></div>
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<span class="s1"><b>Ghaith Mofeed</b> is Syrian, living in Istanbul since 2012 and works for several Istanbul and International based arts organizations, such as, Protocinema, RLV Projects, Paradise Row, Istanbul Biennial and The Moving Image art fair. He is a fluent English and Turkish speaker.</span></div>
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<span class="s1"><b>Special Thanks</b> to: Volkan Kaya, Robbie Lee Valentine, Çelenk Bafra, Dini Colabewala, Derek Saintclair, Samir Mofeed ve Nihad Nadam.</span></div>
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<span class="s1"><b>Proto5533 </b>presents exhibitions by emerging artists and curators, with guidance from art professionals, mentor curators, from Istanbul and abroad. Proto5533 is a collaboration by Protocinema, an itinerant, site-aware art organization, <a href="http://protocinema.us2.list-manage2.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=dc85b463b3&e=ef61ff9c6c"><span class="s2"><b>protocinema.org</b></span></a>, and 5533, off-space run by artists Nancy Atakan and Volkan Aslan, <a href="http://protocinema.us2.list-manage2.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=b2799caf16&e=ef61ff9c6c"><span class="s2"><b>imc5533.blogspot.com.tr</b></span></a>, bringing together an active generation and providing the relationships and tools to nurture its meaningful growth. Selected Curators: Naz Cuguoğlu, Kevser Güler, Mehmet Kahraman, Ghaith Mofeed, Nicole O'Rourke, Ilhan Ozan, Ulya Soley. Mentor Curators: Celenk Bafra, Curator, Istanbul Modern, Istanbul; Anne Ellegood, Senior Curator, Hammer Museum, Los Angeles; Övül Durmusoğlu, Independent Curator Berlin/Istanbul; Anthony Huberman, Chief Curator, Wattis ICA, San Francisco; November Paynter, Associate Director of Research and Programs, SALT; Yasmil Raymond, Associate Curator, Museum of Modern Art, New York; Mari Spirito, Director, Protocinema, Istanbul/New York; François Quintin, Director Fondation d'entreprise Galeries Lafayette, Paris.</span></div>
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<span class="s1">For more information please contact: Mari Spirito, +1917 660 7332 +90541 468 02 14, <a href="mailto:mari@protocinema.org"><span class="s2"><b>mari@protocinema.org</b></span></a>, or Ghaith Mofeed, +90536 073 4087 <a href="mailto:ghaith@protocinema.org"><span class="s2"><b>ghaith@protocinema.org</b></span></a></span></div>
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<span class="s1"><b>Proto5533</b></span></div>
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<span class="s1">5533 ve Protocinema </span></div>
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<span class="s1">Sunar</span></div>
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<span class="s1"><b>GHAITH</b> <b>MOFEED</b></span></div>
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<span class="s1">Bir Hücrenin Kıymeti</span></div>
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<span class="s1">Ghaith Mofeed, Detail: <i>The Journey of a Cell</i>, 2015</span></div>
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<span class="s1"><b>Açılış</b> <b>etkinliği</b>: <b>Cumartesi</b>, <b>31</b> <b>Ekim</b>, <b>16</b>:<b>00</b> - <b>18</b>:<b>00</b></span></div>
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<span class="s1">Sergi tarihi: 31 Ekim – 28 Kasım, 2015</span></div>
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<span class="s1">Çalışma Saatleri: Cumartesi günleri, 12:00 - 18:00</span></div>
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<span class="s1">İMÇ 5. Blok No: 5533, Unkapanı-Istanbul</span></div>
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<span class="s1"><b>Proto5533</b>, küratör/sanatçı <b>Ghaith</b> <b>Mofeed</b>’in yeni çalışmalarından oluşan <b><i>Bir</i></b> <b><i>Hücrenin</i></b> <b><i>Kıymeti</i></b> adlı sergiyi sunar. Sergi, değer ve kıymeti ilişkisini, başka bir deyişle değerin değerini fark edişimizi veya elimizdekinin gerçek değerini kazandıklarımız ve kaybettiklerimizi kıyaslayarak anladığımız anı sorguluyor. Sanatçının atalarının altı kuşak boyunca takip ettiği yolculuk hakkında bir senedir yürüttüğü araştırma sürecinin sonucunda ortaya çıkan sergi üç ayrı işten oluyor.</span></div>
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<span class="s1">“Kıymetin Değeri” (2015) adlı ilk iş, bir tür geleneksel hat çalışması, aslında el yapımı olan ve tek ya da iki renkten oluşan hat çalışması burada birçok renk kullanılarak bilgisayarda yapıldı. Hatta yazan metin 'kıymetli olan kaybolursa, -gösterişli olan-değersizi de gittiğinde pişmanlık olmasın' anlamına geliyor.</span></div>
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<span class="s1">İstanbul Beyoğlu’ndan topladığı toprak ile dolu bir saksının içindeki Trabzon’un Of bölgesinden aldığı tohumlardan oluşan ikinci işin adı “Beyoflu” (2015). ‘Bir bitki almak için gitmiştim, tohumlar aldım. Oradaki akrabalarımın sözlerinin bana ne kadar çok bilgi ektiğini fark ettim. Suriyeli olarak doğmuştuk. Bakış açımız artık aynı değil, değerlerimiz ile birlikte, sağa sola kumlar üzerine dağıtılmış, rüzgarlı bir günde, çıplak ayaklarla toplamamızı söylendi’. (1)</span></div>
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<span class="s1">Serginin merkezindeki “Bir Hücrenin Yolculuğu” (2015) adlı iş ise, biri Osmanlı Sultan Abdülhamit’in Müşaviri, diğeri onun oğlu olan iki adamın yolculuğunu takip eden bir duvar yerleştirmesi. İki bölümden oluşan hikayede, seyirci bu insanların (ve onun hücreleriyle birlikte) yaptığı yolu takip ederek ve anavatanının olduğu yere, yani yolculuğun başına döndüklerinde şahit olacak. “İnsanlar Afrika'dan ilk 60.000 yıl önce çıkmış ve bırakmış oldukları genetik ayak izleri bugün hala görünür. Modern insanın genetik izlerinin görünümünü ve sıklığını haritalandırarak, eski insanların dünyanın neresinde yerleşip gezdiklerine dair bir resim oluşturabiliyoruz. Bu büyük göç yolları sonunda küçük bir grup Afrikalının dünyanın en zor ulaşılır uzak yerlerine yerleşmesine sebep oldu”. (2)</span></div>
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<span class="s1">“Bir Hücrenin Yolculuğu” sadece bu belirli iki adamın izlediği yolun önemi hakkında değildir, insanın takip ettiği, ve hatta, günümüzde halen takip ettiğimiz yolculuk hakkında.</span></div>
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<span class="s1">1. Ghaith Mofeed</span></div>
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<span class="s1">2. National Geographic, The National Genographic, “The Human Journey”</span></div>
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<span class="s1">Suriye vatandaşı Ghaith Mofeed, 2012 yılından beri İstanbul'da yaşıyor. Türkçe ve İngilizce’yi akıcı konuşan sanatçı şimdiye kadar Protocinema, RLV Projects, Paradise Row, İstanbul Bienali ve The Moving Image sanat fuarı gibi sanat etkinliklerinde çalıştı.</span></div>
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<span class="s1">Teşekkürler: Volkan Kaya, Robbie Lee Valentine, Çelenk Bafra, Dini Colabewala, Derek Saintclair, Samir Mofeed ve Nihad Nadam.</span></div>
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<span class="s1">Proto5533 İstanbul ve yurtdışından sanat profesyonellerinin rehberliğinde genç sanatçı ve küratörlerin düzenlediği sergiler sunar. Etkin bir kuşağı bir araya getirip, anlamlı gelişimi için gerekli ilişki ve araçları sağlayan Proto5533, farklı yerlerde mekâna duyarlı sergiler düzenleyen Protocinema(<a href="http://protocinema.us2.list-manage1.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=b36dd4de95&e=ef61ff9c6c"><span class="s2"><b>protocinema.org</b></span></a>) ve sanatçılar tarafından yürütülen 5533’ün (<a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=37bb0a0ca4&e=ef61ff9c6c"><span class="s2"><b>imc5533.blogspot.com.tr</b></span></a>) işbirliğiyle gerçekleşmektedir. Seçilen Küratörler: Naz Çuğuoğlu, Kevser Güler, Mehmet Kahraman, Ghaith Mofeed, Nicole O’Rourke, İlhan Ozan, Ulya Şoley. Danışman Küratörler: Çelenk Bafra, Küratör, İstanbul Modern, İstanbul; Anne Ellegood, Uzman Küratör, Hammer Museum, Los Angeles; Övül Durmuşoğlu, Bağımsız Küratör Berlin/İstanbul; Anthony Huberman, Baş Küratör, Wattis ICA, San Francisco; November Paynter, Araştırma ve Programlar Yardımcı Direktörü, SALT; Mari Spirito, Direktör, Protocinema, İstanbul/New York; François Quintin, Direktör, Fondation d'entreprise Galeries Lafayette, Paris.</span></div>
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<span class="s1">Daha fazla bilgi için: Mari Spirito, +1917 660 7332+90541 468 02 14, <a href="mailto:mari@protocinema.org"><span class="s2"><b>mari@protocinema.org</b></span></a>, veya Ghaith Mofeed, +90536 073 4087, <a href="mailto:ghaith@protocinema.org"><span class="s2"><b>ghaith@protocinema.org</b></span></a></span></div>
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5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-63940631496672080992015-09-24T04:24:00.002-07:002015-09-24T04:31:17.595-07:00the ways we stand by // Şimdiki Duruşlarımız <table align="left" border="0" cellpadding="0" cellspacing="0" class="righttable" style="color: #484849; font-family: Helvetica, Arial, sans-serif; font-size: 13px; position: relative; width: 600px;"><tbody>
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<span style="color: #b45f04;">Türkçe metin aşağıdadır</span><br />
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<strong>Proto5533 </strong>Protocinema Series at 5533 presents<br />
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<strong><em>the ways we stand by</em></strong><br />
Sirma Doruk, Alexandra R Howland, Miriam Katz, Hasan Ozgur Top<br />
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Hasan Ozgur Top, From Guantanamo to Ar-Raqqah, Digital print on wallpaper, Variable dimension, 2015</div>
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curated by Nicole O’Rourke<br />
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<strong>Opening event: Saturday, October 3, 4:00-6:00 pm</strong><br />
Exhibition date: October 3 – October 24, 2015<br />
Open: Saturdays, 12:00 pm-6:00 pm<br />
İMÇ 5. Blok No: 5533, Unkapanı-Istanbul<br />
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PROTO5533 presents <strong><em>the ways we stand by </em></strong>with Sirma Doruk, Alexandra R Howland, Miriam Katz, Hasan Ozgur Top, curated by Nicole O’Rourke, which looks at how we, as individuals, have changed both our behavior and our reactions in the age of the internet.<br />
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Miriam Katz’s video, ‘Extra Ordinary,’ 2015, is a compilation of short videos with actors saying quips like, “I hate Twitter” or “I’m starving.” The video loop comically displays our inherent selfishness, our false sense of importance in the internet era, and our inescapable urge to make everything personal while also saying nothing at all. Sirma Doruk’s three channel video titled ‘Social Interface,’ 2015, is a text-based work. With an audio component that sounds alike to hasty typing, the three videos together reflect our current state of approval, or the current state of how we treat news and facts versus opinions based in internet and computer relevant terminology. It is about the ways we quickly and thoughtlessly behave online—invisibly and without responsibility.<br />
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Hasan Ozgur Top’s digital print on wallpaper, ‘From Guantanamo to Ar-Raqqah,’ 2015, is of two different shades of orange, one taken from an online image of a Guantanamo Bay prisoners’ suit and the other from the t-shirt of an American prisoner who was killed by ISIS in a video that was released online. The wallpaper represents the ways we internalize the images of horror we see online, how what we see becomes an abstract wallpaper in our subconscious, ready for associative meaning in the real world. Alexandra R Howland’s digital photo-collages speak to the ways we select and choose what we see online, mediated by our own social media pages or google searches, ultimately creating our own false collage of the real world.<br />
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The internet has changed us, our language. We stand by* as we see a deluge of images and news, we choose and select, we copy, we paste, we curate our lives online. We are all bystanders.<br />
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<em><u>*stand by</u></em><em>: (phrasal verb of stand) - 1: be present while something bad is happening but fail to take any action to stop it. 2: support or remain loyal to (someone), typically in a time of need.</em><br />
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Please like, share, comment.<br />
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<strong>Special Thanks</strong> to Mari Spirito, Anthony Huberman, Anne Ellegood, Francois Quintin, Ovul Durmusoglu, Yasmil Raymond, Mehmet Kahraman, Helene Dumenil, Robbie Lee Valentine, Özlem Sakin, Volkan Kaya and the Rampa Gallery Team.<br />
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For more information on the artists:<br />
Sirma Doruk: <a href="http://protocinema.us2.list-manage1.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=b26c95cf79&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">sirmadoruk.com</a><br />
Alexandra R Howland: <a href="http://protocinema.us2.list-manage1.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=97416e7458&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">alexandrahowland.com</a><br />
Miriam Katz: <a href="http://protocinema.us2.list-manage1.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=6816d47290&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">miriamkatz.com</a><br />
Hasan Ozgur Top: <a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=4e26ac1945&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;">hasanozgurtop.com</a><br />
<strong>Nicole O’Rourke</strong> is a New York-born Istanbul-based writer and curator. She is an MA candidate in Art History at Hunter College in New York. She has been published in Time Out, Istanbul Art News, Dazed and Confused, Exhibist, The Guide Istanbul, <a href="http://artspace.com/" style="color: #004c67; font-weight: bold; text-decoration: none;">artspace.com</a>, Near East Magazine, and Twin, among others. She currently works at Rampa Gallery, Istanbul.<br />
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<strong>Proto5533</strong> presents exhibitions by emerging artists and curators, with guidance from art professionals, mentor curators, from Istanbul and abroad. Proto5533 is a collaboration by <strong>Protocinema</strong>, an itinerant, site-aware art organization, <a href="http://protocinema.org/" style="color: #004c67; font-weight: bold; text-decoration: none;">protocinema.org</a>, and <strong>5533</strong>, an artist run space, <a href="http://imc5533.blogspot.com.tr/" style="color: #004c67; font-weight: bold; text-decoration: none;">imc5533.blogspot.com.tr</a>, bringing together an active generation and providing the relationships and tools to nurture its meaningful growth. <strong>Selected Curators: Naz Cuguoğlu, Kevser Güler, Mehmet Kahraman, Ghaith Mofeed, Nicole O'Rourke, Ilhan Ozan, Ulya Soley</strong>. Mentor Curators: Celenk Bafra, Curator, Istanbul Modern, Istanbul; Anne Ellegood, Senior Curator, Hammer Museum, Los Angeles; Övül Durmusoğlu, Independent Curator Berlin/Istanbul; Anthony Huberman, Chief Curator, Wattis ICA, San Francisco; November Paynter, Associate Director of Research and Programs, SALT; Yasmil Raymond, Associate Curator, Museum of Modern Art, New York; Mari Spirito, Director, Protocinema, Istanbul/New York; François Quintin, Director Fondation d'entreprise Galeries Lafayette, Paris.<br />
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<strong>For more information</strong> please contact: Mari Spirito, +1917 660 7332 +90541 468 02 14, <a href="mailto:mari@protocinema.org" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">mari@protocinema.org</a>, or Ghaith Mofeed, +90536 073 4087 <a href="mailto:ghaith@protocinema.org" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">ghaith@protocinema.org</a><br />
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Proto5533 Protocinema Serisi 5533’de Sunar<br />
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<strong><em>Şimdiki Duruşlarımız </em></strong><br />
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Nicole O’Rourke’un küratörlüğünde ve Sirma Doruk, Alexandra R Howland, Miriam Katz ve Hasan Ozgur Top’un katılımı ile.<br />
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Hasan Ozgur Top, From Guantanamo to Ar-Raqqah, Duvar Kağıdı üzerine Dijital Baskı Değişken boyutlarda, 2015</div>
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<strong>Açılış etkinliği: Cumartesi, 3 Ekim, 16:00 - 18:00</strong><br />
<strong>Sergi tarihi: 3 Ekim - 24 Ekim, 2015 </strong><br />
Çalışma saatleri: Cumartesi günleri, 12:00 - 18:00<br />
İMÇ 5. Blok No: 5533, Unkapanı-Istanbul<br />
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Nicole O’Rourke’un küratörlüğünde ve Sirma Doruk, Alexandra R Howland, Miriam Katz ve Hasan Ozgur Top’un katılımıyla Proto5533 ‘<strong>Şimdiki Duruşlarımız</strong>’ sergisini sunar. Sergi, bireysel kişiler olarak, internet çağındaki davranışlarımız ve tepkilerimizi nasıl değiştirdiğimizi analiz ediyor.<br />
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Miriam Katz’ın ‘Extra Ordinary’ 2015 adlı çalışması aktörlerin “Twitter’dan nefret ediyorum” veya “Çok açım” gibi esprili ve iğneleyici söylemlerde bulundukları bir dizi kısa videonun derlenmesinden oluşuyor. Video komik bir şekilde internet çağındaki doğal benciliğimiz, yanlış önem duygumuz ve asla vazgeçemediğimiz, hiçbir şey söylemeden her şeyi kişiselleştirmemizi vurguluyor. Sirma Doruk’un ‘Social Interface’ 2015 adlı üç kanal video metin tabanlı bir çalışmasıdır. Daktiloda aceleci bir yazı yazılıyormuş gibi ses efektleri eşliğinde, bu üç video mevcut olan onaylama durumumuzu ve internetteki veya bilgisayara dair, her tür teknolojideki okuduğumuz haber ve gerçekleri karşı kıyas ettiğimiz görüşlerle birlikte koymuş olduğumuz davranışlarımızı yansıtmaktadır. Görünmez ve sorumsuzca, online iken hiç düşünmeden hızlı davranmamızı sorguluyor.<br />
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Hakan Özgür Top’un ‘From Guantanamo to Ar-Raqqah,’ 2015 adlı duvar kağıdı üzerindeki dijital baskı çalışması iki farklı turuncu renk tonundan oluşmaktadır. Bir ton turuncu Guantanamo Bay’daki tutuklu insanların giydiği cezaevi kıyafeti, diğer tonu ise, İŞİD tarafından öldürülen Amerikalının giydiği t-shirt'den. İnternetteki gördüğümüz korku içerikli ve içselleştirdiğimiz imgeleri temsil eden duvar kağıdı, bilinçaltımızda soyut ve gerçek dünyada ilişkisel anlamda hazır bir duvar kağıdı oluyor. Alexandra R Howland’ın dijital-foto kolajlarında, kendi sosyal medya sayfalarımızda veya Google aramalarımızda karar verip nasıl imajlar seçtiğimizi ve sonuçta gerçek dünyada kendi sahte kolajlarımızı nasıl yarattığımızı temsil ediyor.<br />
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İnternet bizi ve dilimizi değiştirdi. Bizim şimdiki duruşumuz* ile birlikte hep imajlara bakıp haber okuyoruz, seçip karar veriyoruz, kopyalayıp yapıştırıyoruz, onlineken hayatımızı oluşturuyoruz. Hepimiz seyircileriz, hepimiz duruyoruz.<br />
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<em><u>*Duruş: (isim Durma işi) - ‘Bir kız ona bir tür büyü yapmış, çocuğun oturuşu, duruşu, konuşması, gülümseyişi, her şey değişmişti’ - A.Ümit. </u></em><br />
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<em><u>Teşekkürler: </u></em>Mari Spirito, Anthony Huberman, Anne Ellegood, Francois Quintin, Ovul Durmusoglu, Yasmil Raymond, Mehmet Kahraman, Helene Dumenil, Robbie Lee Valentine, Özlem Sakin, Volkan Kaya ve Rampa Galerinin tüm ekibine.<br />
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<strong>Sanatçılar hakkında daha fazla bilgi almak için: </strong><br />
Sirma Doruk: <a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=14c1dc8333&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">sirmadoruk.com</a><br />
Alexandra R Howland: <a href="http://protocinema.us2.list-manage1.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=08315780db&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">alexandrahowland.com</a><br />
Miriam Katz: <a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=2243c20164&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">miriamkatz.com</a><br />
Hasan Ozgur Top: <a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=5926774be8&e=ef61ff9c6c" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">hasanozgurtop.com</a><br />
Yazar ve Küratör <strong>Nicole O’Rourke</strong>, New York doğumlu fakat şuan Istanbul’da ikamet ediyor. New York’daki Hunter College’in Sanat Tarihi yüksek lisans adayıdır. Time Out, Istanbul Art News, Dazed and Confused, Exhibist, The Guide Istanbul, <a href="http://artspace.com/" style="color: #004c67; font-weight: bold; text-decoration: none;">artspace.com</a>, Near East Magazine ve Twin gibi yayınlarda yayımlanmıştır. Şimdi Rampa Sanat Galeri’sinde çalışıyor.<br />
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<strong>Proto5533</strong> İstanbul ve yurtdışından sanat profesyonellerinin rehberliğinde genç sanatçı ve küratörlerin düzenlediği sergiler sunar. Etkin bir kuşağı bir araya getirip, anlamlı gelişimi için gerekli ilişki ve araçları sağlayan Proto5533, farklı yerlerde mekâna duyarlı sergiler düzenleyen <strong>Protocinema </strong>(<a href="http://h/" style="color: #004c67; font-weight: bold; text-decoration: none;">protocinema.org</a>) ve sanatçılar tarafından yürütülen 5533’ün (<a href="http://imc5533.blogspot.com.tr/" style="color: #004c67; font-weight: bold; text-decoration: none;">imc5533.blogspot.com.tr</a>) işbirliğiyle gerçekleşmektedir. <strong>Seçilen Küratörler: Naz Çuğuoğlu, Kevser Güler, Mehmet Kahraman, Ghaith Mofeed, Nicole O’Rourke, İlhan Ozan, Ulya Şoley</strong>. Danışman Küratörler: Çelenk Bafra, Küratör, İstanbul Modern, İstanbul; Anne Ellegood, Uzman Küratör, Hammer Museum, Los Angeles; Övül Durmuşoğlu, Bağımsız Küratör Berlin/İstanbul; Anthony Huberman, Baş Küratör, Wattis İCA, San Francisco; November Paynter, Araştırma ve Programlar Yardımcı Direktörü, SALT; Mari Spirito, Direktör, Protocinema, İstanbul/New York; François Quintin, Direktör, Fondation d'entreprise Galeries Lafayette, Paris.<br />
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<strong>Daha fazla bilgi almak için:</strong><br />
Mari Spirito, +1917 660 7332 +90541 468 02 14,<a href="mailto: mari@protocinema.org" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank"> mari@protocinema.org,</a><br />
or Ghaith Mofeed, +90536 073 4087 <a href="mailto:" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">ghaith@protocinema.org</a><br />
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5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-38077304970277297882015-09-15T06:13:00.003-07:002015-09-15T07:01:59.295-07:00Payback <div class="gmail_default" style="font-family: Helvetica; font-size: 12px;">
<span style="font-family: arial, helvetica, sans-serif;">Proto5533</span></div>
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<span style="font-family: arial, helvetica, sans-serif;">Mehmet Dere / Payback</span></div>
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<span style="font-family: arial, helvetica, sans-serif;">Küratör l Curator İlhan Ozan</span><br />
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<br />5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-62143862116931329322015-08-23T10:34:00.001-07:002015-08-23T11:11:06.083-07:00Mehmet Dere / Payback <!--[if !mso]>
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<span style="color: #b45f04; font-size: 12px;">Türkçe metin aşağıdadır</span><br />
<br />
<span style="font-size: 24px;"><strong>Proto5533</strong></span> Protocinema Series at 5533<br />
presents<br />
<br />
<strong><span style="font-size: 24px;">Mehmet Dere</span></strong><br />
<em>Payback</em></div>
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<div style="font-size: 9px; line-height: 15px; margin-bottom: 10px; margin-left: 2px; padding: 0px;">
10 Pay Kuponu, 1968</div>
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<strong>Opening event: Saturday, August 29, 4:00-6:00 pm</strong><br />
Exhibition date: August 29-September 27, 2015<br />
Open: Saturdays, 12:00 pm-6:00 pm; during Biennial week, open Thursday, Friday, Saturday<br />
İMÇ 5. Blok No: 5533, Unkapanı-Istanbul<br />
<br />
Proto5533 presents the first exhibition, in a series of emerging artist and curator projects, featuring the artist Mehmet Dere curated by Ilhan Ozan. The exhibition, titled <em>Payback</em>, brings together two site-specific sculptural works by Mehmet Dere that revolve around the social and economic significance of İstanbul Manifaturacılar Çarşısı [Istanbul Textile Traders Market] (İMÇ), a landmark that was built in the 1960s and is marked as a major example of Turkish modernist architecture.<br />
<br />
Mehmet Dere’s <em>Untitled I </em>(2015) is an oversized reproduction of a ‘pay kuponu,’ which was a promotional coin offered by the daily newspaper <em>Günaydın</em>. This coin was implemented in the late 1960s and the early 1970s at the time when new structures for economic developments encouraging capitalist consumption intersected with national development plans. In this context, the work refers to the development of a modern lifestyle through the act of collecting and acquiring modern household items, as well as new consumption habits in relation to the necessities of urban life of this period. By reappropriating ‘pay kuponu,’ a medium of exchange in everyday life, Dere reveals the tension between the ‘modern utopia’ he questions and the social reality of urban life that was accompanied by urban gentrification, unemployment and social conflicts of the time. The installation of the work implies that the space of 5533 has been flipped, much like the coin itself, pointing to the unpredictable consequences of modernization and urbanization, which despite being seen as economic policies of the period did not bring intended prosperity.<br />
<br />
<em>Untitled II</em> (2015), positioned outside of the exhibition space, is also an oversized reproduction, this time of ‘Fırdöndü,’ an object similar to a dice. It was played in games in Turkey dating back to the 1960s. Each of its six surfaces has a different command: ‘Put one,’ ‘Take two,’ ‘Put two,’ ‘Take one,’ ‘Everybody puts one,’ ‘Take all.’ ‘Fırdöndü’ is described in the Turkish Language Association’s (TDK) dictionary as ‘brass, six surfaced gambling tool played like a turning-top.’ Relevant to this context is Dere’s reference to taking and giving as well as the unpredictable action of a gam(bl)e. As an object, it also reflects the artist’s concerns with the social impact of financial psychologies. Additionally, the artist deals with the construction of national ideals and the physical constructions of urbanization by producing the work from cement - the primary building material of the era he evokes.<br />
<br />
As Mehmet Dere’s practice is characterized by what is culturally and socially at stake in present-day Turkey, he traces the sociocultural and economic implications of these two found objects in the exhibition through correspondences with the devalued present state of İMÇ and its historical significance.<br />
<br />
Born in 1979, <strong>Mehmet Dere</strong> graduated from Dokuz Eylül University Faculty of Fine Arts Department of Painting, 2004. He is the founder of artist run space 49A and a member of K2 Contemporary Art Center in İzmir. Dere was awarded the special prize at the ‘27th Contemporary Artists Exhibition’ at Akbank Art Beyoğlu. In addition to his solo exhibition at Rampa Gallery, 2011; the group exhibitions he participated in include: ‘When Ideas Become Crime’, Tütün Deposu, Istanbul, 2010; ‘Port İzmir 2, Silence_Storm, International Contemporary Art Triennial’, Izmir, 2010; ‘I am Here, The Time is Now’, Rotterdam, 2008; ‘10th İstanbul Biennial Special Project’, Santralistanbul, 2007.<br />
<br />
Born in 1987, <strong>Ilhan Ozan</strong> is a curator, researcher and writer. He received his Bachelor’s in Sociology at Marmara University, 2009; Master’s in Philosophy and Social Thought at Istanbul Bilgi University, 2012. He is a regular contributor to the artist-centered online publication <a href="http://m-est.org/" target="_blank">m-est.org</a>. He currently works in Research and Programs at SALT, Istanbul.<br />
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<strong>Proto5533</strong> presents exhibitions by emerging artists and curators, with guidance from art professionals, mentor curators, from Istanbul and abroad. Proto5533 is a collaboration by <strong>Protocinema</strong>, an itinerant, site-aware art organization, <a href="http://protocinema.org/" target="_blank">protocinema.org</a>, and <strong>5533</strong>, an artist run space, <a href="http://imc5533.blogspot.com.tr/" target="_blank">imc5533.blogspot.com.tr</a>, bringing together an active generation and providing the relationships and tools to nurture its meaningful growth. <strong>Selected Curators: Naz Cuguoğlu, Kevser Güler, Mehmet Kahraman, Ghaith Mofeed, Nicole O'Rourke, Ilhan Ozan, Ulya Soley</strong>. Mentor Curators: Celenk Bafra, Curator, Istanbul Modern, Istanbul; Anne Ellegood, Senior Curator, Hammer Museum, Los Angeles; Övül Durmusoğlu, Independent Curator Berlin/Istanbul; Anthony Huberman, Chief Curator, Wattis ICA, San Francisco; November Paynter, Associate Director of Research and Programs, SALT; Yasmil Raymond, Associate Curator, Museum of Modern Art, New York; Mari Spirito, Director, Protocinema, Istanbul/New York; François Quintin, Director Fondation d'entreprise Galeries Lafayette, Paris.<br />
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<strong>For more information</strong> please contact:<br />
Mari Spirito, <a href="tel:%2B1917%20660%207332" target="_blank" value="+19176607332">+1917 660 7332</a> <a href="tel:%2B90541%20468%2002%2014" target="_blank" value="+905414680214">+90541 468 02 14</a>, <a href="mailto:mari@protocinema.org" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">mari@protocinema.org</a>,<br />
or Ghaith Mofeed, <a href="tel:%2B90536%20073%204087" target="_blank" value="+905360734087">+90536 073 4087</a> <a href="mailto:ghaith@protocinema.org" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">ghaith@protocinema.org</a><br />
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Mari Spirito</div>
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<strong>PROTOCİNEMA</strong><br />
<a href="mailto:mari@protocinema.org" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">mari@protocinema.org</a><br />
<a href="tel:%2B1917%20660%207332" target="_blank" value="+19176607332">+1917 660 7332</a> <a href="tel:%2B90541%20468%2002%2014" target="_blank" value="+905414680214">+90541 468 02 14</a><br />
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<strong>LATIFA ECHAKHCH</strong> August 31 - October 24, 2015 Istanbul<br />
Announcing <strong>PROTO5533</strong> - Protocinema Series of Emerging Artists and Curators at 5533, 2015-16<br />
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<strong>Discover Art|Basel Crowdfunding Initiative</strong><br />
<a href="http://protocinema.us2.list-manage1.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=e4f93f4890&e=da9ebb57ff" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">kickstarter.com/pages/artbasel</a><br />
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<span style="font-size: 24px;"><strong>Proto5533</strong></span> Protocinema Series at 5533<br />
sunar<br />
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<strong><span style="font-size: 24px;">Mehmet Dere</span></strong><br />
<em>Payback</em></div>
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10 Pay Kuponu, 1968</div>
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<strong>Açılış: 29 Ağustos Cumartesi, 16:00 -18:00</strong><br />
Sergi tarihi: 29 Ağustos-27 Eylül 2015<br />
Sergi, Cumartesi günleri 12:00 -18:00; Bienal haftası Perşembe, Cuma, Cumartesi günleri açıktır.<br />
İMÇ 5. Blok No: 5533, Unkapanı-İstanbul<br />
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Proto5533 genç sanatçı ve küratör projelerinin ilk sergisini sanatçı Mehmet Dere’yle İlhan Ozan’ın küratörlüğünde sunar. <em>Payback</em> adlı sergi, Mehmet Dere’nin 1960’larda inşa edilmiş ve modern Türkiye mimarisinin başlıca örneklerinden olan İstanbul Manifaturacılar Çarşısı’nın (İMÇ) sosyal ve ekonomik önemi etrafında mekâna özgü ürettiği iki heykele yer verir.<br />
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Mehmet Dere’nin <em>İsimsiz I</em> (2015) adlı işi, <em>Günaydın </em>gazetesinin 1960’ların sonu ve 1970’lerin başında verdiği ‘pay kuponu’nun büyütülerek yeniden üretimidir. ‘Pay kuponu’nun verildiği yıllar, kapitalist tüketimi teşvik eden yeni yapıların ulusal kalkınma planlarıyla kesiştiği bir döneme denk gelir. İş bu bağlamda, kent hayatının gereksinimlerine atfen biriktirme ve modern ev aletleri alarak yeni tüketim alışkanlıkları edinme üzerinden modern bir yaşam tarzının gelişimini değerlendirir. Dere, bir süre paranın muadili bir değişim aracı olarak da kullanılan ‘pay kuponu’nu yeniden düzenleyerek, söz konusu ‘modern ütopya’ ve dönemin kentsel dönüşüm, işsizlik ile sosyal çatışmaları dahilinde kent hayatının gerçekleri arasındaki gerilime değinir. <em>İsimsiz I</em>, sergi alanına atılmış bir para gibi görünen yerleştirmesiyle 5533’ün mekânının tarihsel dönüşümüne dikkat çekerken, dönemin ekonomi politikalarının hedeflediği refahın aksine, modernleşme ile kentleşmenin öngörülmeyen sonuçlarına da işaret eder.<br />
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Sergi mekânının dışına yerleştirilen <em>İsimsiz II</em> (2015) ise, bu kez başka bir nesnenin, ‘Fırdöndü’nün büyütülerek yeniden üretimdir. Oyun zarına benzeyen bu nesne, Türkiye’de 1960’lardan itibaren popüler olur. Altı yüzünden her biri ayrı bir komut içerir: ‘Bir koy’, ‘İki al’, ‘Bir al’, ‘İki koy’, ‘Birer koyunuz’, ‘Hepsini al’. Sözcük, Türk Dil Kurumu’nun sözlüğünde ‘Topaç gibi çevrilerek oynanan, tunçtan, altı köşeli bir kumar aracı’ şeklinde tanımlanır. Bu bağlamla ilişkisi, Dere’nin alma ve verme referanslarının yanı sıra, bir oyunda elin öngörülemezliği üzerinden kurulur. ‘Fırdöndü’ bir nesne olarak aynı zamanda sanatçının, mali kaygıların sosyal etkilerine yönelik ilgisini yansıtır. Sanatçı bu işi, söz konusu dönemin temel yapı malzemesi olan çimentodan üreterek hem ulusal ideallerin inşasına hem de kentleşmenin gereği olarak görülen yapılaşmaya atıfta bulunur.<br />
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Mehmet Dere’nin pratiği günümüz Türkiye’sinde kültürel ve toplumsal olarak kaybolmakta olana odaklanır. Sanatçı, sergide iki buluntu nesneden yola çıkarak İMÇ’nin tarihsel önemi ve bu önemini yitirdiği bugünkü duruma dair ortaklıklar üzerinden, bu nesnelerin sosyokültürel ve ekonomik göstergelerinin izini sürer.<br />
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1979 yılında doğan <strong>Mehmet Dere</strong> Dokuz Eylül Üniversitesi Güzel Sanatlar Fakültesi Resim Bölümü’nden mezun oldu (2004). İzmir merkezli güncel sanat mekânı 49A’nın kurucusu ve K2 Güncel Sanat Merkezi’nin üyesi olan Dere, ‘27. Akbank Günümüz Sanatçıları Sergisi’nde özel ödülü aldı. Rampa Galeri’deki kişisel sergisinin (2011) yanı sıra, katıldığı karma sergileri arasında: ‘Fikirler Suça Dönüşünce’, Tütün Deposu, İstanbul (2010); ‘Sessizlik-Fırtına, Port İzmir 2. Uluslararası Çağdaş Sanat Trienali’, İzmir (2010); ‘I am Here, The Time is Now’, Rotterdam (2008); ‘10. İstanbul Bienali Özel Projeler’, Santralistanbul (2007) bulunur.<br />
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<strong>Ilhan Ozan</strong> 1987 yılında doğan küratör, araştırmacı ve yazar. Lisansını Marmara Üniversitesi Sosyoloji Bölümü’nde (2009), yüksek lisansını İstanbul Bilgi Üniversitesi Felsefe ve Toplumsal Düşünce Yüksek Lisans Programı’nda (2012) tamamladı. Sanatçı merkezli online yayın <a href="http://m-est.org/" target="_blank">m-est.org</a>’un düzenli katkıcılarından olan Ozan, SALT Araştırma ve Programlar’da çalışıyor.<br />
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<strong>Proto5533</strong> İstanbul ve yurt dışından sanat profesyonellerinin rehberliğinde genç sanatçı ve küratörlerin düzenlediği sergiler sunar. Etkin bir kuşağı bir araya getirip, anlamlı gelişimi için gerekli ilişki ve araçları sağlayan Proto5533, farklı yerlerde mekâna duyarlı sergiler düzenleyen <strong>Protocinema</strong>(<a href="http://protocinema.org/" target="_blank">protocinema.org</a>) ve sanatçılar tarafından yürütülen <strong>5533</strong>’ün (<a href="http://imc5533.blogspot.com.tr/" target="_blank">imc5533.blogspot.com.tr</a>) işbirliğiyle gerçekleşmektedir.<strong> Seçilen Küratörler: Naz Çuğuoğlu, Kevser Güler, Mehmet Kahraman, Ghaith Mofeed, Nicole O’Rourke, İlhan Ozan, Ulya Şoley. </strong>Danışman Küratörler: Çelenk Bafra, Küratör, İstanbul Modern, İstanbul; Anne Ellegood, Uzman Küratör, Hammer Museum, Los Angeles; Övül Durmuşoğlu, Bağımsız Küratör Berlin/İstanbul; Anthony Huberman, Baş Küratör, Wattis İCA, San Francisco; November Paynter, Araştırma ve Programlar Direktör Yardımcı, SALT; Mari Spirito, Direktör, Protocinema, İstanbul/New York; François Quintin, Direktör, Fondation d'entreprise Galeries Lafayette, Paris.<br />
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<b>Detaylı bilgi için:</b><br />
Mari Spirito, <a href="tel:%2B1917%20660%207332" target="_blank" value="+19176607332">+1917 660 7332</a> <a href="tel:%2B90541%20468%2002%2014" target="_blank" value="+905414680214">+90541 468 02 14</a>, <a href="mailto:mari@protocinema.org" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">mari@protocinema.org</a>,<br />
Ghaith Mofeed, <a href="tel:%2B90536%20073%204087" target="_blank" value="+905360734087">+90536 073 4087</a> <a href="mailto:ghaith@protocinema.org" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">ghaith@protocinema.org</a></div>
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Mari Spirito<br />
<strong>PROTOCİNEMA</strong><br />
<a href="mailto:mari@protocinema.org" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">mari@protocinema.org</a><br />
<a href="tel:%2B1917%20660%207332" target="_blank" value="+19176607332">+1917 660 7332</a> <a href="tel:%2B90541%20468%2002%2014" target="_blank" value="+905414680214">+90541 468 02 14</a><br />
<br />
<strong>LATIFA ECHAKHCH</strong> August 31 - October 24, 2015 Istanbul<br />
Announcing <strong>PROTO5533</strong> - Protocinema Series of Emerging Artists and Curators at 5533, 2015-16<br />
<br />
<strong>Discover Art|Basel Crowdfunding Initiative</strong><br />
<a href="http://protocinema.us2.list-manage.com/track/click?u=6e1a9d32059b9ef100b0081ae&id=57764041c3&e=da9ebb57ff" style="color: #004c67; font-weight: bold; text-decoration: none;" target="_blank">kickstarter.com/pages/artbasel</a></div>
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<!--EndFragment-->5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-50843467087641363672014-05-21T03:30:00.003-07:002014-05-21T03:41:20.159-07:00Özden Demir'den Bir Not: 5533 günlükleri<a href="https://www.blogger.com/blogger.g?blogID=8709181494001779735" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><br />
<span style="background-color: white; font-family: arial, helvetica, sans-serif; font-size: 12px;">Olan biten hepimizi derinden etkiledi, etkilemekte. Bu yüzden 5533'te başlattığımız etkinlikleri ve geçen hafta hazırladığımız bu maili iletmeyi de ertelemiştik. </span><br />
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<span style="color: black; font-family: arial, helvetica, sans-serif;">Çok da iyi gitmiyor işler, demiştik. Şimdi daha da kötü. </span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;">Ama en başta söylediğimiz gibi, "biraradalık için", daha fazlasını beraber tartışmak için, vesileler için,</span><span style="font-family: arial, helvetica, sans-serif;"> kaldığımız gibi olmasak da kaldığımız yerden.</span></div>
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<span style="color: black; font-family: arial, sans-serif; font-size: 13px;"><b><span lang="TR">Özden Demir'den Bir Not: 5533 günlükleri</span></b><span lang="TR"></span></span><br />
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span lang="TR">Son 3-4 aydır kendini tanımlayarak sınırlamamak için gayret eden bir sanat mekanı için neler yapabileceğimiz sorusunu, tek bir cevabı olmadığını bilerek konuşup durduk. Daha yakın geçmişte, koltukları suni deri-ahşap karışımı, bahçesinde muhtemelen renkli armut biçimli oturmaları olan, nargile değil de çay ve gözleme tüketilen bir nargileci masasında, kişisel olarak yaşadıklarımızın sanat üretimine etkisinden ve değişimden söz ettik. Üç ay önce ve şimdi önerdiklerimle aradaki fark çarpıcı değil 5533 için. Ama bakıyorum da, olan geçen yıl bu vakitlerde oldu zaten.</span><span lang="TR"></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span lang="TR">Çok da iyi gitmiyor işler, o zaman dert edindiklerimiz hala baki çok yönden. Şükür ki değişmeyen bir şey de aldığımız en büyük ders: bir aradalığımız, yan yana durma halimiz. Maksat öncelikle bunu sürdürmeye vesile olan her yerde var olmaya devam etmek sanırım.</span><span lang="TR"></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span lang="TR">Tek kriter iyi üretim, güzel yemek-içmek, işini samimiyetle yapan, sevdiğimiz kişilerle buluşmak, paylaşmak, üretime destek olmak olacak Mayıs ayı boyunca da. İşin çatısını, yan yanalığımızı sağlayan sanal ya da fiziki her türlü alanla, 5533’ten İMÇ’ye, mahalle bakkalından kente kadar değişen ölçeklerdeki mekanlarla ilişkilerimiz üzerine düşünmek oluşturacak.</span><span lang="TR"></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span lang="TR">İlişkide olduğumuz alanlara bakma biçimlerini, <b>edebiyat,</b> <b>yeme-<wbr></wbr>içme</b> ve <b>medya </b>üzerinden ele almaya çalışacağız. Düşünmeye, mekanın kendisinden, 5533’ten başladık. Süreci, etkinlikleri, <a href="http://5533gunlukleri.tumblr.com/" style="color: #1155cc;" target="_blank">5533 günlükleri blogundan</a>, instagram ve twitter’da #5533 ve #5533gunlukleri üzerinden takip edebilirsiniz.</span><span lang="TR"></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span lang="TR">(#5533kitaplik mevcut kütüphanenin her gün bir bölümünü paylaşmaya yönelik bir projedir. <a href="https://docs.google.com/spreadsheets/d/1qlsJZiq3xYh3if-ZBI1qa7Bea-Ix1lJ-3Yq_e_hSLa0/edit#gid=0" style="color: #1155cc;" target="_blank">Bu adreste</a> güncellenmektedir.)</span><span lang="TR"></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><b><span lang="TR">İLK ETKİNLİK: ROTA3x3/12</span></b><span lang="TR"></span></span></div>
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<b style="font-family: arial, helvetica, sans-serif;"><span lang="TR">24 Mayıs Cumartesi, 15.00-16.30</span></b></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><b><span lang="TR">5533, İMÇ 5. Blok, Unkapanı</span><span lang="TR"></span></b></span></div>
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<a href="https://www.facebook.com/events/1487641454787763/?ref_dashboard_filter=upcoming" style="color: #1155cc; font-family: arial, helvetica, sans-serif;" target="_blank"><b>etkinlik linki</b></a><span style="color: black; font-family: arial, helvetica, sans-serif;"><b><span lang="TR"><br /></span></b></span></div>
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<span lang="TR"><span style="color: black; font-family: arial, helvetica, sans-serif;"><b>"Kenti, mekanı, en çok da en aşina olduğumuz yerlerin dönüşümünü edebiyat üzerinden nasıl okuyup yorumlayabiliriz?" </b></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span lang="TR">Bu soruyu edebiyatla haşır neşir arkadaşlarımdan Çağlayan (Çevik), Ahmet (Ergenç) ve Seçil (Epik)'e sordum.</span><span lang="TR"> </span><span lang="TR">Sohbetimiz üzerine bu üç kişi üçer yazardan üçer tane metin seçti. </span><span lang="TR">Yolu İstanbul’dan geçen yazarların rotalarını içeren bu metinleri sizle paylaşmak, bu rotaları farklı biçimlerde (fotoğraf, film, ses kaydı, yeniden yazım vs) yeniden yorumlamayı düşünmek üzere, </span><span lang="TR">24 Mayıs Cumartesi günü etkinliğin ilk gününe davet ediyoruz. Çaylar bizden!</span><span lang="TR"></span></span></div>
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<span lang="TR"><span style="color: black; font-family: arial, helvetica, sans-serif;">İlk etkinlik için metin listesi:</span></span></div>
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<span lang="TR"><span style="color: black; font-family: arial, helvetica, sans-serif;">Seçil:</span></span></div>
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<span lang="TR"><span style="color: black; font-family: arial, helvetica, sans-serif;">Fikret Adil, <i>Asmalımescit</i></span></span></div>
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<span lang="TR"><span style="color: black; font-family: arial, helvetica, sans-serif;">Metin Kaçan, <i>Fındık Sekiz</i></span></span></div>
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<span lang="TR"><span style="color: black; font-family: arial, helvetica, sans-serif;">Tezer Özlü, <i>Çocukluğun Soğuk Geceleri</i></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;">Ahmet:</span></div>
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<span lang="TR"><span style="color: black; font-family: arial, helvetica, sans-serif;">Sait Faik Abasıyanık, <i>Alemdağda Var Bir Yılan, </i>“Öyle Bir Hikaye”, “Dolapdere” ve “Eftalikus’un Kahvesi”</span></span></div>
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<span lang="TR"><span style="color: black; font-family: arial, helvetica, sans-serif;">Yusuf Atılgan, <i>Aylak Adam</i></span></span></div>
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<span lang="TR"><span style="color: black; font-family: arial, helvetica, sans-serif;">Bilge Karasu, <i>Lağımlaranası ya da Beyoğlu</i></span></span></div>
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<span lang="TR"><span style="color: black; font-family: arial, helvetica, sans-serif;">Çağlayan:</span></span></div>
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<span lang="TR"><span style="color: black; font-family: arial, helvetica, sans-serif;">Abdülhak Şinasi Hisar, <i>Çamlıca’daki Eniştemiz</i><br />Hulki Aktunç, <i>Beyoğlu’nun Kirli Tarihi</i><br />Ahmet Ümit, <i>Beyoğlu Rapsodisi</i></span></span></div>
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<span lang="TR"><span style="color: black; font-family: arial, helvetica, sans-serif;">İlhan Berk, <i>Pera</i></span></span></div>
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<span lang="TR" style="font-family: arial, sans-serif; font-size: 13px;"><span style="color: black; font-family: arial, helvetica, sans-serif;">(Detaylı bilgi için: </span></span><span style="color: black; font-family: arial, helvetica, sans-serif;"><u><a href="http://we.tl/jQFYytQhll" style="color: #1155cc;" target="_blank">http://we.tl/jQFYytQhll</a></u></span><span style="font-family: arial, helvetica, sans-serif; font-size: 13px;">)</span><span style="font-family: arial, helvetica, sans-serif; font-size: 13px;"><wbr></wbr> </span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span lang="TR">Görüşmek dileğiyle,</span><span lang="TR"></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span lang="TR">özden d. + 5533 rota3x3/12 ekibi</span><span lang="TR"></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span lang="TR">özden demir</span><span lang="TR"></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span lang="TR"><a href="mailto:ozzdendemir@gmail.com" style="color: #1155cc;" target="_blank">ozzdendemir@gmail.com</a></span><span lang="TR"></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span lang="TR"><a href="http://5533gunlukleri.tumblr.com/" style="color: #1155cc;" target="_blank">Blog</a></span><span lang="TR"></span></span></div>
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<span style="color: black; font-family: arial, helvetica, sans-serif;"><span lang="TR"><a href="https://twitter.com/5533istanbul" style="color: #1155cc;" target="_blank">Twitter.com/5533istanbul</a></span></span></div>
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<a href="https://docs.google.com/spreadsheets/d/1qlsJZiq3xYh3if-ZBI1qa7Bea-Ix1lJ-3Yq_e_hSLa0/edit?usp=drive_web" style="border: none; color: #1155cc; display: inline-block; max-width: 366px; overflow: hidden; padding: 1px 0px; text-decoration: none; text-overflow: ellipsis; white-space: nowrap;" target="_blank"><img src="https://ci6.googleusercontent.com/proxy/_9dp6bE-Q1k4ySPXWyDacjLJ4XDygtYjCt384_TUG_r4d8wIgHzJZg8-5KzofVwPVx-nnwKbGMoL5esA_TpYsx_iYD_yri9ki6p7S44rNiEWnXfg5_43OMGFyev1tQ=s0-d-e1-ft#https://ssl.gstatic.com/docs/doclist/images/icon_11_spreadsheet_list.png" style="border: none; vertical-align: bottom;" /> <span dir="ltr" style="vertical-align: bottom;">5533 Kitaplık Listesi</span></a></div>
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5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-79317284143641647842014-03-03T02:35:00.001-08:002014-03-03T02:40:20.554-08:00Merve Ünsal'dan bir not // A note from Merve Ünsal<div dir="ltr" style="background-color: white; color: #222222; font-family: arial; font-size: small;">
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<a href="http://2.bp.blogspot.com/-Teqfk-EQ1kg/UxRaz6gguRI/AAAAAAAAAiM/hSq0Bdl_4VQ/s1600/isbirligi.jpeg.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-Teqfk-EQ1kg/UxRaz6gguRI/AAAAAAAAAiM/hSq0Bdl_4VQ/s1600/isbirligi.jpeg.png" height="315" width="320" /></a></div>
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<i>please scroll down for English</i></div>
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5533'ün yeni konuğu ve ev sahibi olarak, İMÇ'nin günlük düzeni ve düzenin getirdiği istikrarı ile 5533'ün programı hakkında beraber düşünmeyi öneriyorum. Görsel sanatlar alanında yazı yazma ve çeviri yapma gibi sanat üretimini destekleyen ama çoğunlukla geri planda kalan üretimleri fiziksel bir mekana taşımak neye yarayabilir? Mart ve Nisan aylarında 5533'ün mekanını sanat yazarlığı ve çeviri üzerine atölyeler, okuma grupları, gösterim programları ile etkin hale getireceğim. Bu emek biçimlerini, birlikte çalışabilecek, konuşulabilecek bir mekan ile kısa süreli de olsa günlük hayat ile ilişkilendirmeye davet ediyorum. </div>
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5533'ün hangi gün ve saatlerde açık olacağını Twitter'da #5533'ten takip edebilirsiniz. Belirtilen saatlerde 5533'ün kütüphanesi ve ofis mekanı çalışma alanı olarak kullanıma açık olacaktır. </div>
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<b><i>İlk etkinlik: </i><br />10 Mart 2014, 17.00, Araştırma Sunumu, </b><b>Efe Levent </b></div>
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<span style="font-family: arial, sans-serif;">Fu Manchu karakteri, popüler kültürde uzak doğuluların tatsız temsillerinin sembolü haline gelmiştir. Sax Rohmer'in 1910 yılında çıkarttığı ilk Fu Manchu hikayesinden beri, karakter kendi başına bir marka olmuştur. Tüyler ürpetici zekası ve insan üstü soğuk kanlılığıyla James Bond'un düşmanı Dr No'dan, Iron Man'in Mandarin'i ve hatta Tarkan'ın ezeli rakibi Wang Yu'ye kadar sayısız karakterin, ve bu karakterlerle birlikte uzak doğuluların kim olduklarına dair fikirlerin tohumunu oluşturmaktadır. Peki Fu Manchu'nun altında yatan yaratıcı süreci ve suratını gördüğü anda temsil ettiği her şeyi idrak eden algıyı inceleyerek görsel iletişim hakkında ne öğrenebiliriz?</span></div>
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As the new host and guest of 5533, I'd like to think about 5533's programming in conjunction with the daily order of İMÇ and the consequent stability. What would be the point of bringing to a physical space productions/activities such as translating and arts writing that support visual arts out of the spotlight? I will be hopefully activating 5533's space with workshops on arts writing and translating, reading groups, screening programs. I imagine the programming to serve as an open invitation to build a bridge between these types of labors and a space in which collaborations and conversations can take place. </div>
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You can follow my schedule at 5533 via #5533. The library and office space of 5533 will be available for use during the indicated hours. </div>
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<b><i>First event:</i><br />March 10, 2014, 5pm, Research Presentation by </b><b>Efe Levent </b></div>
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<span style="font-family: arial, sans-serif;">The Fu Manchu character has come to symbolize unsavory representations of Asians in Western popular culture. Since the original Fu Manchu novel, penned by Sax Rohmer in 1910, the character has morphed into a brand of its own. With his spine-chilling intellect and cold blood, he has been seminal in the conception of an illustrious array of characters ranging from James Bond's Dr No, Iron Man's Mandarin and even the Wang Yu of Tarkan, the popular 1970s Turkish film series. With all this influence, the character has planted rooted ideas in the Occidental imagination about who Asians are. What can we learn about visual communication and cognition by studying the creative process that has produced and decoded Fu Manchu and everything that the iconic figure represents?</span></div>
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<i>Görsel/Image: <span style="background-color: #ffffcc;">Merve</span> <span style="background-color: #ffffcc;">Ünsal</span>, İş(Birliği)/One Work, 2014.</i></div>
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5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-87458993929535402602014-02-20T08:50:00.003-08:002014-02-20T08:50:45.505-08:00m-est video gösterimi - 5533 doğum günü // m-est video screening - 5533 birthday <div class="gmail_quote" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
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<span style="color: black;"><b>5533, İMÇ</b></span></div>
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<b><span style="color: black;">m-est video gösterimi / 5533 doğumgünü </span></b></div>
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<b><span style="color: black;">22 Şubat 2014 Cumartesi, 16.30-18.00</span></b></div>
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<span style="color: black;">Bu haftasonu 5. yaşgününü kutlayacak olan 5533, 2014'ün ilk etkinliği olarak başka bir sanat inisiyatifi olan <a href="http://m-est.org/" style="color: #1155cc;" target="_blank">m-est</a>'i ağırlıyor. 22 Şubat Cumartesi günü, m-est adına sanatçı Merve Ünsal <a href="http://www.ubu.com/" style="color: #1155cc;" target="_blank">UbuWeb</a>'den yaptığı bir video seçkisini gösterecek. m-est'in 'kamusal alan' sayısı kapsamında yapılan, yaklaşık 60 dakikalık gösterim sonrasındaki sohbete çay ve doğum günü pastası eşlik edecek.</span></div>
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<b><span style="color: #444444;">5533, İMÇ</span></b></div>
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<b><span style="color: #444444;">m-est video screening / 5533 birthday </span></b></div>
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<b><span style="color: #444444;">Saturday, February 22nd, 2014, 4:30-6pm</span></b></div>
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<span style="color: #444444;">5533 is celebrating its 5th birthday this weekend by hosting <a href="http://m-est.org/" style="color: #1155cc;" target="_blank">m-est</a>, another artist initiative, also the first event of the year. Within the framework of m-est's issue on "public space", artist Merve Ünsal will make a selection of videos from <a href="http://www.ubu.com/" style="color: #1155cc;" target="_blank">UbuWeb</a>. The screening will last for approximately 60 minutes, after which the conversation will be accompanied by tea and a birthday cake. </span></div>
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<i>Görsel/Image: Martha Rosler, A Simple Case For Torture, or How To Sleep at Night, 1983. </i></div>
5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-72004865059171894292014-02-19T07:04:00.004-08:002014-02-19T07:04:45.372-08:005533’te Meşguliyetler // What’s New at 5533?<div class="MsoNormal" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
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<b>5533’te Meşguliyetler</b></div>
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<span lang="TR">Sanat inisiyatiflerinden beklentilerimiz nasıl değişiyor? İnisiyatifleri, ‘bağımsız’, ‘küçük ölçekli’, ‘esnek yapılı’, ‘katılımcı’, ‘deneysel’, ‘mütevazı’, ‘kar amacı gütmeyen’ gibi sıfatlarla anlatmaya çalışıyor, çoğu zaman kurumsal veya ticari yapılardan ayırmaya gayret ediyoruz. Peki inisiyatif-kurum ayrımı ne işimize yarıyor? Bu ikilem olmaksızın sanattaki üretim ve örgütlenme tavırlarını nasıl düşünebiliriz? İşte bunlar, Nancy ve Volkan’la aramızdaki diyaloğu başlatan sorular. </span></div>
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<span lang="TR">5533’ten bana gelen daveti, beraber düşünerek üretmeye açık olan ve birbirinin üretimlerini takip eden üç kişiye yönelttim: Merve (Ünsal), Özden (Demir) ve Ali (Taptık). Kendini –sanatçı, fotoğrafçı, editör, mimar, mimarlık tarihçisi, kısa film yönetmeni, vb.– birçok farklı şekilde tanımlayan bu üç kişi, 5533’ün 2014’teki meşguliyetlerini belirleyecek; tek sabiti fiziksel mekan olarak alıp 5533’ün hem konuğu hem de ev sahibi olacaklar.</span></div>
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<span lang="TR">Merve, Özden ve Ali bu sene boyunca belirli bir tema veya süreye bağlı olmadan etkinlikler düzenleyecekler. Kendi önceliklerine göre şekillenecek bu etkinlikler boyunca birbirimize sorular sormaya devam edeceğiz. Yaratıcı girişimcilik jargonuna giren, büyük kurumlar tarafından benimsenen ‘deneysellik’ ilkesinin anlamını kaydırmak mümkün mü? Kurumsallaşmış tavırlarımız neler, bunları kırmak ya da sahiplenmek istiyor muyuz? Ve inisiyatiflerin dönüştürücü güce sahip olması şart mı?</span></div>
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<span lang="TR">Böyle bir yapıyı kurma çabamız, birey, grup ve kurum arasındaki ilişkiler üzerine kafa yormak istememizle alakalı. Bu ufak jest, daha büyük bir fikre –inisiyatiflerin, kurumların, hatta koleksiyonların ve arşivlerin nasıl toplumsallaşabileceğine–<wbr></wbr>bağlanıyor benim için. Cevap UNESCO’nun uzantısı olan, statik bir ‘kültürel miras’ kavramı üzerinden aranmamalı. Bu tartışma daha ziyade üretici, izleyici ve katılımcı konumlarımızın nasıl şekillendiği üzerine. İnisiyatifler, kurumlar, müzeler bizi nasıl değiştiriyor, diğer yandan biz onları nasıl dönüştürüyoruz?</span></div>
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<span lang="TR">—Özge Ersoy</span></div>
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<b>What’s New at 5533?</b></div>
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<span lang="TR">What are the expectations from art initiatives, and how are they changing? Initiatives are often defined as ‘independent’, ‘small-scale’, ‘flexible’, ‘participatory’, ‘experimental’, ‘modest’, ‘nonprofit’, and are distinguished from institutionalized and/or commercial models. But what does the binary—the initiative versus the institution—serve? Could we imagine production and self-organization in the visual arts beyond this dichotomy? It is these questions that started my conversation with Nancy and Volkan—the founders of 5533.</span></div>
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<span lang="TR">I chose to redirect their invitation to think about the programming of 5533 this year, and invited three people—Merve (Ünsal), Özden (Demir) ve Ali (Taptık)—who are eager and familiar to discuss each other’s work. Wearing different hats, as artist, photographer, editor, architect, architectural historian, filmmaker, etc., these three people will determine what comes next at 5533. Departing from the physical space as the framing device, they will be the guest and the host at the same time.</span></div>
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<span lang="TR">Merve, Özden and Ali will organize events, starting with their own urgencies—not following a common theme or a fixed duration. And meanwhile, we hope to share open-ended questions with you throughout the year: how is the idea of ‘experimentation’ becoming a trope in institutionalized and/or entrepreneurial language? What are our own institutionalized behaviors? Do we want to break free, or to simply embrace them? And how in what context do we believe in the transformative power of initiatives, if at all?</span></div>
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<span lang="TR">Such a structure requires a common desire to talk and speculate about the relationships between individuals, groups, and institutions. In my opinion, this small gesture will lead us to a bigger discussion—what makes the initiative, the institution, and even the collection and the archive become <i>public</i>? The static idea of ‘cultural heritage’ promoted by UNESCO is clearly not the answer. Rather, this discussion is related to how our agencies change as producers, viewers, and participants. How do initiatives, institutions, and museums change us, and how do we transform them in return?</span></div>
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<span lang="TR">—Özge Ersoy</span></div>
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5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-91024779581956439902013-11-12T02:00:00.000-08:002013-11-12T02:02:35.047-08:00“Şarkılar ve Yerler Kitabı” - “Book of Songs and Places”<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial;">Maxime Hourani’nin</span></div>
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<span style="font-family: Arial;">13. İstanbul Bienali Kapsamındaki Projesi</span></div>
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<span style="font-family: Arial;">Küratör: Fulya Erdemci</span></div>
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<span style="font-family: Arial;">Project by Maxime Hourani</span></div>
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<span style="font-family: Arial;">Part of the 13<sup>th</sup> Istanbul Biennial</span></div>
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<span style="font-family: Arial;">Curated by Fulya Erdemci</span></div>
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5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-17031488160191905212013-11-12T01:53:00.000-08:002014-02-19T10:11:24.972-08:005533 / Paralı - Wealthy 2013 (linoleum flooring) Nancy Atakan-Volkan Aslan-Filiz Avunduk <div class="separator" style="clear: both; text-align: center;">
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<br />5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-39043875190680347092013-09-18T15:21:00.001-07:002013-09-18T15:23:46.794-07:00<br />
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<span style="font-family: Arial;"><i><span style="font-size: xx-small;">please scroll down for english</span></i></span></div>
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<b><span style="font-family: Arial;">“Şarkılar ve Yerler Kitabı”</span></b></div>
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<span style="font-family: Arial;"> Atölye: 19-25 Eylül</span></div>
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<span style="font-family: Arial;">Yer: 5533</span></div>
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<span lang="TR" style="font-family: Arial;">İMÇ</span><span style="font-family: Arial;"> 5<sup>. </sup>Blok No. 5533</span></div>
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<span style="font-family: Arial;">Unkapan</span><span lang="TR" style="font-family: Arial;">ı</span><span style="font-family: Arial;">, Istanbul</span></div>
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<span style="font-family: Arial;">Maxime Hourani’nin</span></div>
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<span style="font-family: Arial;">13. İstanbul Bienali Kapsamındaki Projesi</span></div>
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<span style="font-family: Arial;">küratör: Fulya Erdemci</span></div>
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<span style="font-family: Arial;">"Şarkılar ve Yerler Kitabı"nın üçüncü atölyesi 19 ve 25 Eylül tarihleri arasında katılımcıları Çatalca’nın kırsal alanlarına götürecek. Alan araştırma gezisi katılımcıları, Çatalca’nın savunma çizgisi, Osmanlı zamanında istihkamları tarafından ateşkes sınırı olarak belirlenen yerden başlayacak ve 3. Köprü ile otoyolun birleştiği yol çalışmalarının yer aldığı alanı inceleyecekler. Türk şarkıcı ve söz yazarı Mabel Matiz, katılımcılar ile epik veya dünyevi, Istanbul çevresine yolculuğa çıkma fırsatı sunuyor.</span></div>
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<span style="font-family: Arial;">Fatih Karaca (d. 31 Ağustos 1985, Erdemli, Mersin), Mabel Matiz olarak bilinen Türk Pop şarkıcısı, şarkı yazarı, eski diş hekimi. Adı, <i>Kumral Ada Mavi Tuna</i> romanında yer alan Tuna karakterinin lakabı Mabel ve "çok sarhoş, düşkün kimse" anlamlarına gelen eski Yunanca kökenli kelime Matiz'in birleşiminden oluşur. Müzik eğitimine gitar çalarak ve üniversitede aldığı Türk Klasik Müziği dersiyle başlamıştır. İlk başta evinde parçalarını kaydedip isimsiz olarak <i>MySpace</i>’e eklemiştir. 2009 yılında tanıştığı Engin Akıncı’nın cesaretlendirmesi sayesinde Alper Gemici ve Alper Erinç’le bir araya gelip ilk albümü “Mabel Matiz” 11 Mayıs 2011'de piyasaya çıkarmıştır. Bu albümden 5 şarkıya klip çekilmiştir. Mabel Matiz, aynı zamanda Teoman, Göksel, Ceyl'an Ertem gibi sanatçıların albümlerinde söz yazarı ve besteci olarak da bulunmuştur. 5 Ocak 2013'te 2. albümü “Yaşım Çocuk”u yayınlamıştır.</span><span style="font-family: Arial;">"</span><span style="font-family: Arial;"></span></div>
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<span style="font-family: Arial;">‘’Şarkılar ve Yerler Kitabı’’nın 3. Atölyesi’nde konuşma serileri devam edecektir:</span></div>
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<i><u><span style="font-family: Arial;">Konuşmacı Dr. Ipek Türeli</span></u></i></div>
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<i><u><span style="font-family: Arial;">Perşembe 19 Eylül, 17:00 – 18:30</span></u></i></div>
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<i><u><span style="font-family: Arial;">“</span></u></i><i><span style="font-family: Arial;">Çevrenin Hareketli Görüntüleri<u>”</u></span></i></div>
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<span style="font-family: Arial;">(Merkeze zıt kullanılan) Çevre mekansal bir kavramdır.* Sosyal bilimcilerin Türkiye’de modernleşmeyi yorumlarında etkili olmuş bir metafordur (Mardin, 1973). Hem içeride bir mekan (merkez) hem de dışarıda bir mekan ima eder. Göreceli konumsallık olarak tanımlanabilir. Mesela; Istanbul Türkiye’nin merkezinde iken Avrupa’nın çeperindedir.</span></div>
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<span style="font-family: Arial;">Şehrin çevresi tipik olarak boş, kırsal alan olarak tahayyül edilir. Türkiye’de şehrin çevresindeki yerleşimler, ilk olarak gazetecilerin ilgisini çekmiştir. Fotoğraflarla belgelenen bu çalışmalar genelde “ötekilerin” nasıl yaşadığına ve İstanbul’a geliş sebeplerine değinmiştir (Türeli, 2010). Bunu takiben, Türk filmcileri bu çevrenin karakteristik yerleşimi olarak gecekonduları keşfederler ve onları şehir içindeki zengin mahallelerle karşılaştırıp sosyal eşitsizlik ve az gelişmişlik üzerine yorumlar getirirler. Türk Sinemasının stüdyosuzluktan ötürü dış mekan çekimlerine bağımlı olması sebebiyle eski filmler bugün şehrin sürekli değişen çevresinin yegane fotoğrafik tarihi belgeleri olarak da değerlendirilebilirler.</span></div>
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<span style="font-family: Arial;">Yakın zamanda şehrin coğrafi çevresi güvenlikli sitelerin ve diğer “seçkin” ev tiplerinin yaygınlaşmasına şahitlik etmiştir. Aynı zamanda Sulukule, Tarlabaşı gibi şehir içi “çöküntü alanları” yeni çevreler/kenarlar olarak işaretlenmiş, “iç sömürgecilik” ve “devlet eliyle soylulaştırma”ya tabi tutulmuştur. Neoliberal kentleşme ile dialog halinde olan güncel sinema filmleri bu yeni kenarlara uygun karakter arayışı içinde köyden kente göçen ve işçi sınıfı kent yoksulundan marjinal hayatlara dönmüştür.</span></div>
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<span style="font-family: Arial;">Çevre/kenar her zaman reel insan yerleşimi ile örtüşmeyebilir. Çevrenin potansiyeli beklenmedik temaslar ve etkileşimlerdedi. Çevre dediğimiz kavram muhalif siyasetin odağı olarak ortaya çıkar.</span></div>
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<span style="font-family: Arial;">* Çevre, “periphery” kelimesinin Türkçe çevirisi olarak kullanılmıştır. Ama “environment” ve “circle of friends” anlamlarına da gelebildiği icin aynı olumsuzluğu taşımamaktadır.</span></div>
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<span style="font-family: Arial;">İpek Türeli McGill Üniversitesi’nde Mimarlık profesörüdür. Aynı zamanda Montreal merkezli DMRLab’in ortaklarındandır. Doktorasını UC Berkeley’de yapmıştır. Araştırmaları UC Berkeley Regents (2002-2007), Graham Vakfı, Orta Doğu Araştırma Yarışması (Ford Vakfı), Brown Universitesi/ Andrew W. Mellon Vakfı ve MIT Aga Khan doktora sonrası bursları (2008-2011) tarafından desteklenmiştir. Seminerleri, atölyeleri ve yayınları modern şehrin tarihi ve teorisi, görsel kültür, mimari aktivizm ve mekansal adelet üzerine yoğunlaşmıştır.</span></div>
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<i><u><span style="font-family: Arial;">Konuşmacı Prof. Dr. Semra Germaner</span></u></i></div>
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<i><u><span style="font-family: Arial;">“Geç Osmanlı ve Erken Cumhuriyet dönemlerinde manzara resimler”</span></u></i></div>
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<i><u><span style="font-family: Arial;">Cumartesi, 21 Eylül, 16:00-18:00</span></u></i></div>
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<span lang="EN-GB" style="color: windowtext; font-size: 11pt;">Konuşmacı Geç Osmanlı ve Erken Cumhuriyet dönemlerinde yapılmış olan manzara resimlerindeki kent görünümlerini tanıtarak bu resimlerde var olan pitoresk duygusunun nasıl değiştiğini anlatacak.</span></div>
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<span lang="EN-GB" style="color: windowtext; font-size: 11pt;">1967 yılında Güzel Sanat Akademi’sinden mezun olan İstanbul doğumlu Semra Germaner, yüksek lisansını Université Paris IV Sorbonne Institut d’Art et d’Archéologie’nden 1973 yılında tamamlayıp doktorasını Istanbul Teknik Üniversite’sinden 1979 yılında aldı. Osmanlı ve Türk sanatı uzmanı ve Orientalist ressamlardan olan </span><span lang="TR" style="color: windowtext; font-size: 11pt;">Semra Germaner aynı zamanda Mimar Sinan Üniversite’sinde profesördür. Bazı yazdığı kitaplar: <i>Son Osmanlı Dönemi İstanbul Ahşap</i> <i>Konutlarında Cephe Bezemeleri, </i>1982; <i>XVIII.Yüzyıl Avrupa Resmi, Anlatımı Biçimlendiren Etmenler</i>, 1996; XVIII yüzyılı Batı Resimler, <i>1960 Sonrası Sanat: Akımlar, Eğilimler, Gruplar, Sanatçılar</i>, 1997. Ayrıca Zeynep İnankur ile beraber <i>Orientalism and Turkey 1989 ve</i> <i>Constantinople and the Orientalists</i>, 2002 yazmıştı.</span></div>
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<span lang="TR" style="font-family: Arial;">“Şarkılar ve Yerler Kitabı” disiplinlerarası bir pratikten gelen Lübnanlı mimar ve sanatçı Maxime Hourani’nin projesidir. Çoğunlukla belirli bir alan veya mekana bağlanan performatif bir eylem olarak Hourani’nin projeleri, tarihsel, biçimsel ve ilişkisel katmanları kavramsal keşifler gibi eşip birbirine dokuyor.</span></div>
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<span lang="TR" style="font-family: Arial;">Projenin ev sahibi ve eşorganizatörü 5533, kar amacı gütmeyen deneysel bir sanat alanı olarak 2008 yılında iki sanatçı, Nancy Atakan ve Volkan Aslan tarafından kuruldu. Her sene yeni bir direktörü davet eden 5533’ün 2013 programlar direktörü Filiz Avunduk. 5533’ün amaçları arasında uluslararası sergilere ev sahipliği yapmak; sanatsal araştırma ve proje oluşumunu desteklemek; ve kendi bünyesinde düzenlediği sergileri, sanatçı konuşmalarını, atölyeleri ve yuvarlak masa tartışmalarını İMÇ sakinleri, sanat topluluğu ve genel izleyiciyle paylaşmaktır</span><span lang="TR" style="font-family: Arial;">.</span></div>
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<span lang="TR" style="font-family: Arial;">Atölyeler herkese açıktır. Müzik geçmişine gerek yoktur.</span><span lang="TR" style="font-family: Arial;"><br /><br />Atölye çalışmasına katılmak için lütfen </span><a href="mailto:bookofsongsandplaces@gmail.com" style="color: #1155cc;" target="_blank"><span lang="TR" style="font-family: Arial;">bookofsongsandplaces@<wbr></wbr>gmail.com</span></a><span lang="TR" style="font-family: Arial;"> adresine e-posta yollayın.</span></div>
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<span style="font-family: Arial;">Daha fazla bilgi için </span><span style="font-family: Arial;"><a href="http://www.imc5533.blogspot.com/" style="color: #1155cc;" target="_blank">www.imc5533.blogspot.com</a></span><span style="font-family: Arial;"></span></div>
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<b><span style="font-family: Arial;">“Book of Songs and Places”</span></b></div>
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<span style="font-family: Arial;">Workshop: September 19-25</span></div>
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<span style="font-family: Arial;">Place: 5533</span></div>
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<span lang="TR" style="font-family: Arial;">İMÇ</span><span style="font-family: Arial;"> 5<sup>th</sup> Block No. 5533</span></div>
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<span style="font-family: Arial;">Unkapan</span><span lang="TR" style="font-family: Arial;">ı</span><span style="font-family: Arial;">, Istanbul</span></div>
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<span style="font-family: Arial;">Project by Maxime Hourani</span></div>
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<span style="font-family: Arial;">Part of the 13<sup>th</sup> Istanbul Biennial</span></div>
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<span style="font-family: Arial;">Curated by Fulya Erdemci</span></div>
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<span style="font-family: Arial;">The third session of "A Book of Songs and Places" between September 19 and 25 takes the participants to the rural district of Çatalca. The field research trips will follow the Çatalca defense line, an armistice line that is formed by Ottoman period fortifications. The participants will explore the area where the line intersects the construction site of the highway that will link with the third Bosphorus Bridge. The Turkish singer and songwriter, Mabel Matiz, will work with the participants to represent the, epic or mundane, journeys that were taken across the “peripheral” landscapes.</span></div>
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<span style="font-family: Arial;">Known as a Turkish pop singer, and songwriter, Fatih Karaca (born August 31, 1985, Erdemli, Mersin) formerly a dentist, uses the professional name, Mabel Matiz. He took the name Mabel from the novel, <i>Kumral Ada Mavi Tuna,</i> in which the character Tuna uses the nickname Mabel while Matiz is a word from ancient Greek meaning ‘a very drunk derelict.” Mabel Matis began his music education with guitar and Turkish classic music classes while at university. He initially recorded his songs at home and put them anonymously on<i> MySpace</i>. After meeting and receiving encouragement from Engin Akıncı in 2009, together with Alper Gemici and Alper Erinç he made his first album of 5 music clips, entitled “Mabel Matiz” that came out on May 11, 2011. He has also written lyrics and composed music for such artists as Teoman, Göksel, and Ceyl’an Ertem. His second album, “Yasım Çocuk”, came out on January 5, 2013.</span></div>
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<span style="font-family: Arial;">The lecture series will be continued in the third session of “A book of songs and places”:</span></div>
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<i><u><span style="font-family: Arial;">Lecture by Dr. </span></u></i><i><u><span style="font-family: Arial;">İpek Türeli</span></u></i></div>
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<i><u><span style="font-family: Arial;">“Moving Images of the Peripheries”</span></u></i></div>
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<i><u><span style="font-family: Arial;">Thursday, September 19, 17:00-18:30</span></u></i></div>
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<span style="font-family: Arial;">Periphery is a spatial concept and a sociological metaphor that has had a bearing on how scholars interpreted modernization in Turkey It implies a space within (center) and a space without. It can be defined as relative positionality. For instance, Istanbul is at the center of Turkey but also at the periphery of Europe.</span><span style="font-family: Arial;"></span></div>
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<span style="font-family: Arial;">The periphery of the city is typically surrounded by rural land and is imagined to be empty. In Turkey, it was the journalists who first provided “moving images” of the peripheries of the city, photographically documenting how the “other half” lived and why they came to Istanbul (Tureli, 2010). Then, Turkish filmmakers discovered squatter settlements as characteristic of the peripheries and contrasted them to affluent inner-city neighborhoods to comment on social inequality and underdevelopment. Turkish cinema’s dependence on onsite shooting (lacking studios) has meant films remain the only photographic documentation of the rapidly changing peripheries of the city.</span></div>
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<span style="font-family: Arial;">More recently, geographical peripheries of the city witnessed the proliferation of gated communities and other exclusive forms of housing. In turn, declining inner-city areas, such as Tarlabasi, Sulukule, have been marked as the new peripheries and subjected to “internal colonization” and “generalized gentrification”. In conversation with patterns of neoliberal urbanization, cinema films have turned from rural-to-urban migrants and working-class urban poor to marginal lives in search of characters to populate this new periphery in the geographic centre. The periphery may not always correspond to actual human habitation. The potential of the periphery comes from unexpected contact. The so-called peripheries emerge as the locus of oppositional politics.</span></div>
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<span style="font-family: Arial;">Ipek Türeli is Assistant Professor of Architecture at McGill University. She is also a Creative Partner at DMRLab based in Montreal. She holds a PhD in Architecture from UC Berkeley, and the AA Diploma. Her research was awarded the Regents Fellowship at UC Berkeley (2002-2007. She also received external grants from the Graham Foundation for Advanced Studies in the Fine Arts, and the Middle East Research Competition, a Mellon Postdoctoral Fellowship at Brown University (2008-2011) and the Aga Khan Postdoctoral Fellowship in Islamic Architecture at MIT. Her seminars, studios, and publications have explored vision and visuality, the history and theory of the modern city, activism in architecture and spatial justice. She is the co-editor of <i>Orienting Istanbul: Cultural Capital of Europe?</i> (Routledge, 2010; Metis, 2011). This book explores how processes of creative production and exhibition are intertwined with neoliberal urban restructuring. She is currently working on her book manuscript, "Istanbul, Open City."</span></div>
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<i><u><span style="font-family: Arial;">Lecture by Prof. Dr. Semra Germaner</span></u></i></div>
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<i><u><span style="font-family: Arial;">“Late Ottoman and early Turkish city view and landscape paintings”</span></u></i></div>
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<i><u><span style="font-family: Arial;">Saturday, September 21, 16:00-18:00</span></u></i></div>
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<span style="font-family: Arial;">Professor Dr. Semra Germaner will present examples of city views and landscape paintings from the late Ottoman and early Turkish Republic periods and explain changes in the feeling of the picturesque.</span></div>
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<span style="font-family: Arial;">Born in Istanbul, Semra Germaner graduated from the Istanbul Academy of Fine Arts in 1967, received her M.A. in Modern Art History from the Sorbonne University, Paris, in 1973 and her Ph.D. from Istanbul Technical University in 1979. As a specialist in Ottoman and Turkish art and orientalist painting, Germaner is a Professor at Mimar Sinan University in Istanbul. She has written numerous books and articles about façade decorations of wooden houses during the late Ottoman period, 18<sup>th</sup> century European painting, European art after 1960, as well as being the co-author with Professor Dr. Zeynep Inankur of <i>Orientalism and Turkey</i>, published in 1989, and <i>Constantinople and the Orientalists</i>, published in 2002.</span></div>
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<span style="font-family: Arial;">“A Book of Songs and Places” is a project by Maxime Hourani, a Lebanese artist and architect engaged in a cross-disciplinary practice. Often taking the form of performative actions that relate to a specific place or space, his projects conceptually engage in explorations that excavate and interweave layers of histories, forms and relations.</span></div>
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<span style="font-family: Arial;">The project is hosted and co-organized by 5533, an experimental non-profit art space that was opened in 2008 by two artists, Nancy Atakan and Volkan Aslan. As part of their yearly director invitation program, Filiz Avunduk has been the 2013 Programs Director. 5533’s aims are to host international projects and interactive events involving exhibitions, artist talks, workshops and round table discussions; to conduct art related research, materialize projects, and share these with IMC neighbors, the art community, as well as general interest.</span></div>
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<span style="font-family: Arial;">Workshop participation is open to students and practitioners. No musical background is required. If you are interested in participating in one of the workshops, please send an e-mail to </span><a href="mailto:bookofsongsandplaces@gmail.com" style="color: #1155cc;" target="_blank"><span style="font-family: Arial;">bookofsongsandplaces@gmail.<wbr></wbr>com</span></a><span style="font-family: Arial;"> with your name.</span></div>
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<span style="font-family: Arial;">For more information please check <a href="http://imc5533.blogspot.com/" style="color: #1155cc;" target="_blank">imc5533.blogspot.com</a></span></div>
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<b><i><span style="font-family: Arial;">“Şarkılar ve Yerler Kitabı”</span></i></b></div>
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<b><i><u><span style="font-family: Arial;">19<sup> </sup>– 25<sup> </sup>Eylül 2013 Atölye Çalışması Programı</span></u></i></b></div>
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<i><u><span style="font-family: Arial;">Perşembe 19<sup> </sup>Eylül:</span></u></i></div>
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<span style="font-family: Arial;">(17:00-18:30) Herkese açık konuşma ve soru-cevap: ‘’Türk Sinemasında çevresel manzara’’ Dr. İpek Türeli tarafından.</span></div>
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<i><u><span style="font-family: Arial;">Cuma 20<sup> </sup>Eylül:</span></u></i></div>
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<span style="font-family: Arial;">(10:00-11:00) </span><span lang="TR" style="font-family: Arial;">Maxime Hourani tarafindan “Yeryüzü şekilleri ve askeri panoramik çizim teknikleri’ hakkında giriş ve sunum.</span><span lang="TR" style="font-family: Arial;"></span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span lang="TR" style="font-family: Arial;">(11:00-17:00) Çatalca’ya arazi araştırma gezisi. Örcünlü’den Kızılcaali’ye doğru yürüyeceğiz (Lütfen yürüyüşe uygun hafif kıyafetler ve ayakkabılar giyiniz. Ayrıca yanınıza kendi kaydınızı gerçekleştirmek için tercih ettiğiniz gereçleri getiriniz. Örnek: Fotoğraf makinesi, Ses kayıt cihazı vs.)</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<i><u><span lang="TR" style="font-family: Arial;">Cumartesi 21 Eylül:</span></u></i><i><span lang="TR" style="font-family: Arial;"></span></i></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span lang="TR" style="font-family: Arial;">(11:00-15:00) Arazi araştırmasının analizleri ve tartışması</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span lang="TR" style="font-family: Arial;">(16:00-17:30) Herkese açık konuşma ve soru-cevap: ‘’Osmanlı’nın son yılları ve Türkiye’nin ilk yılların da ki manzara sanatının tarihi’’ Profesör Dr. Semra Germaner tarafından.</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<i><u><span lang="TR" style="font-family: Arial;">Pazartesi 23<sup> </sup>Eylül:</span></u></i></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span lang="TR" style="font-family: Arial;">(11:00-17:00) Çatalca’ya arazi araştırma gezisi. Boyalık’tan Kızılcaali’ye doğru yürüyeceğiz (Lütfen yürüyüşe uygun hafif kıyafetler ve ayakkabılar giyiniz. Ayrıca yanınıza kendi kaydınızı gerçekleştirmek için tercih ettiğiniz gereçleri getiriniz. Örnek: Fotoğraf makinesi, Ses kayıt cihazı vs.)</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<i><u><span lang="TR" style="font-family: Arial;">Salı 24 Eylül:</span></u></i></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span lang="TR" style="font-family: Arial;">(11:00-17:00) Şarkıcı Mabel Matiz ile şarkı sözü yazma atölyesi</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<i><u><span lang="TR" style="font-family: Arial;">Çarşamba 25 Eylül:</span></u></i></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span lang="TR" style="font-family: Arial;">(11:00-16:30) Şarkıcı Mabel Matiz ile şarkı sözü yazma atölyesi</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<br /></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span lang="TR" style="font-family: Arial;">Atölye çalışmaları 5533 IMÇ Unkapanı’nda gerçekleşecektir. </span><span style="font-family: Arial;">Lütfen başlama saatinden 15 dakika once geliniz.</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span style="font-family: Arial;">Çalışmalara katılmak için artistic ve müziksel alt yapı gerekmemektedir. Atölye çalışmalarının devamlılığı açısından düzenli katılımınızı beklemekteyiz.</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<br /></div>
<div align="center" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: center;">
<b><i><span style="font-family: Arial;">“A book of songs and places”</span></i></b></div>
<div align="center" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: center;">
<b><i><u><span style="font-family: Arial;">19<sup>th</sup> to 25<sup>th</sup> of September 2013 Workshop Program</span></u></i></b></div>
<div align="center" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: center;">
<br /></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<i><u><span style="font-family: Arial;">Thursday 19<sup>th</sup> September:</span></u></i></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span style="font-family: Arial;">(17:00-18:30) Public talk and Q&A on peripheral landscapes in Turkish cinema by Dr. İpek Türeli</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<i><u><span style="font-family: Arial;">Friday 20<sup>th</sup> September:</span></u></i></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span style="font-family: Arial;">(10:00-11:00) Introduction and presentation of landscape and military panoramic sketching techniques by Maxime Hourani</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span style="font-family: Arial;">(11:00-17:00) Field Research trip to the district of Çatalca. We will be walking from Örcünlü to Kizilcaali. (Please wear clothes and shoes that are suitable for light trekking. Also bring the equipment of your preference to make your own documentation.)</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<i><u><span style="font-family: Arial;">Saturday 21<sup>st</sup> September:</span></u></i><i><span style="font-family: Arial;"></span></i></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span style="font-family: Arial;">(11:00-15:00) Field research analysis and discussion</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span style="font-family: Arial;">(16:00-17:30) Public Talk and Q&A on the history of landscape art in Turkey during the late Ottoman and early Turkish Republic periods by Professor Dr. Semra Germaner</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<i><u><span style="font-family: Arial;">Monday 23<sup>rd </sup>September:</span></u></i></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span style="font-family: Arial;">(11:00-17:00) Field Research trip to the province of Çatalca. We will be walking from Boyalik to Kizilcaali (Please wear clothes and shoes that are suitable for light trekking. Also bring the equipment of your preference to make your own documentation.)</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<i><u><span style="font-family: Arial;">Tuesday 24<sup>th</sup> September:</span></u></i></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span style="font-family: Arial;">(11:00-17:00) Songwriting workshop with Singer Mabel Matiz</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<i><u><span style="font-family: Arial;">Wednesday 25<sup>th</sup> September:</span></u></i></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span style="font-family: Arial;">(11:00-16:30) Songwriting workshop with singer Mabel Matiz</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<br /></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span style="font-family: Arial;">The workshop meetings will be taking place at 5533 IMC Unkapani, Please come 15minutes before starting time.</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;">
<span style="font-family: Arial;">No prior artistic or musical background is necessary, Participation commitment is appreciated.</span></div>
<div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px; text-align: justify;">
<br /></div>
5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.comtag:blogger.com,1999:blog-8709181494001779735.post-60660658584115874332013-09-09T13:16:00.002-07:002013-09-12T04:09:43.639-07:00Annika Eriksson Now you see us now you don’t Şimdi bizi görüyorsunuz şimdi görmüyorsunuz<!--[if gte mso 9]><xml>
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<a href="http://1.bp.blogspot.com/-kF39h5RCGOM/UjGgytlu3GI/AAAAAAAAAbI/nby6I7wnaoo/s1600/Now+you...JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-kF39h5RCGOM/UjGgytlu3GI/AAAAAAAAAbI/nby6I7wnaoo/s1600/Now+you...JPG" height="261" width="320" /></a></div>
<b><span style="font-family: Helvetica;"><br /></span></b></div>
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<b><span style="font-family: Helvetica;">Annika Eriksson<o:p></o:p></span></b></div>
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<b><i><span style="font-family: Helvetica; mso-bidi-font-family: Helvetica;">Now you see us now you don’t <o:p></o:p></span></i></b></div>
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<b><i><span lang="TR" style="font-family: Helvetica; mso-ansi-language: TR; mso-bidi-font-family: Helvetica;">Şimdi bizi görüyorsunuz
şimdi görmüyorsunuz<o:p></o:p></span></i></b></div>
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<span style="font-family: Helvetica; mso-bidi-font-family: Verdana;"> </span><span style="font-family: Helvetica; font-size: 8.0pt; mso-bidi-font-family: Helvetica;"> </span><span style="font-family: Helvetica; mso-bidi-font-family: Verdana;"><o:p></o:p></span></div>
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<i><span style="font-family: Helvetica; mso-bidi-font-family: Helvetica;">Now you see us now
you don’t</span></i><span style="font-family: Helvetica; mso-bidi-font-family: Helvetica;"> is a permanent neon sign installation by Annika Eriksson, placed on
the back entrance of the 5<sup>th</sup> block at IMÇ (Istanbul Manifaturacılar
Çarşısı) - the iconic modernist shopping center in Istanbul designed during the
city’s urban modernisation period in the late 1950’s. </span><span style="font-family: Helvetica; mso-bidi-font-family: Verdana;"><o:p></o:p></span></div>
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<span style="font-family: Helvetica; mso-bidi-font-family: Helvetica;">The purely Functionalist building, conceived as a “modern utopia”,
was built incorporating the traditional bazaar structure into an experimental
modern system with large corridors surrounding the open-air atrium located at
the center of each block. IMÇ was built divided into six blocks according to
different industries including: garment textiles, interior decoration textiles,
sewing machines and music.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Helvetica; mso-bidi-font-family: Helvetica;">Like a ghost from the future, <i>Now
you see us now you don’t</i> blinks from the concrete exterior wall of the 5<sup>th</sup>
block as a promise and a threat hinting at its precarious state. In the last
decade, justified as a policy to protect the historic peninsula of Istanbul,
the municipality has tried but failed to pass a proposal to build Ottoman
villas by demolishing IMÇ. Located in an ideal spot, a bridge apart from
central neighbourhoods, an enforced relocation is inevitable and only a matter
of time for İMÇ. When the day comes, the sign will continue its lifespan
alongside it and disappear in the rubble of the building.<o:p></o:p></span></div>
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<span style="font-family: Helvetica; mso-bidi-font-family: Helvetica;">Eriksson sets up a spatial situation and distorts notions of time </span><span style="font-family: Helvetica; mso-bidi-font-family: Times;">with </span><i><span style="font-family: Helvetica; mso-bidi-font-family: Helvetica;">Now you see us now you don’t</span></i><span style="font-family: Helvetica; mso-bidi-font-family: Helvetica;">. She inscribes an
ambiguous text referring to the building’s present state of temporal ambiguity.
Alluding to its possible demise, the text acts as a subversive resistance from
a frontier between construction and destruction, then and now, also bringing
forth the erasure of personal and socio-cultural histories tied to public
structures of this scale. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: Helvetica; mso-bidi-font-family: Times;">Annika Eriksson is a Swedish artist living in Berlin. Over the years,
Eriksson has produced a large number of works in which the perception of time,
structures of power, and once acclaimed social visions are called into
question. Strategically Eriksson plays with the heated debates around the
public realm and structures that regulate it, revealing the urban changes and how
this is subject to unexpected political appropriations and inversions.</span><span style="font-family: Helvetica; mso-bidi-font-family: Verdana;"><o:p></o:p></span></div>
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<span style="font-family: Helvetica; mso-bidi-font-family: Times;">Selected recent exhibitions include: 13<sup>th</sup> Istanbul
Biennial; <i>I am the dog that was
always here</i> (loop), KIOSK, Ghent, 2013; <i>Critical Mass,</i> St Petersburg, 2013; <i>When Attitudes</i> <i>Became</i> <i>Form
Become Attitudes</i>, Wattis Institute, San Francisco, 2012; <i>The
Trilogy</i>, Kunstlerhaus Stuttgart, 2012; <i>The Great Good Place</i>,
Krome Gallery, 2012; The Shanghai Biennale/City Pavilion Istanbul, 2012;<i>The
Best of Times, The Worst</i> <i>of Times; Rebirth and Apocalypse in
Contemporary Art</i>, Kiev Biennale, 2012; Non Gallery, Istanbul, 2011; <i>Wir
sind wieder</i> da, DAAD Galerie, Berlin, 2011; <i>A Rehearsal/Fable of the Bees</i> commission for Flat Time House,
London 2012 and for NON Stage, Istanbul 2011.</span><span style="font-family: Helvetica;"><o:p></o:p></span></div>
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<span style="font-size: x-small;"><br /></span></div>
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<span style="font-family: Helvetica;"><span style="font-size: x-small;">Curated by Filiz Avunduk</span><span style="font-size: 11pt;"><o:p></o:p></span></span></div>
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<!--EndFragment-->5533http://www.blogger.com/profile/11855250260153443746noreply@blogger.com